Cross-posting from the Forte Ears Impressions thread:
Forte Ears Mefisto - Early Impressions
Thanks to
@Riccardoyeh, Mefisto is finally in da house. I've been listening on and off for the past 24 hours, and have managed to formulate some very early impressions of Mefisto, mostly relative to Macbeth.
Interestingly, I don't think Macbeth is going to be Mefisto's direct competitor; instead I think the likes of Campfire Audio's Clara, Icelab's Spectrumica and FIR Audio's Project K will come into the conversation much more when we're talking about Mefisto down the line. Still, as far as Forte Ears goes, Macbeth is the benchmark, and I daresay - based on early evidence - we're in for a changing of the guard soon, RRP be damned!
Forte Ears’ sophomore release, Mefisto, is for me an immediately more
accessible alternative to Macbeth, retailing at $2,899 versus Macbeth’s $4,000. Despite its lower price, however, Mefisto may well be the more complete and appealing of the two offerings — both in its sound tuning and refined aesthetics.
Internally, Mefisto debuts a new driver configuration: dual 7.8mm dynamic drivers for bass, four balanced armatures, and a newly developed micro-planar tweeter dubbed Aria. The result is a physical, air-moving bass presentation that immediately stands apart from Macbeth’s more elevated but less tactile BA bass. The leaner lower midrange on Mefisto also enhances separation, contributing to its transparent character. This does, however, come at the cost of slightly less body in male vocals, which Macbeth renders with a smoother, chestier tone.
Treble was an initial concern — micro-planar drivers can often introduce unpleasant zing at the highest peaks — but Mefisto impresses here, too. There’s a palpable sense of relief in its restrained top-end; it manages to remain articulate without drawing undue attention. While a slight sandiness is detectable in the upper harmonics of female vocals, it’s far from the sibilant edge present in some competitors.
The mid-to-upper treble range is less elevated than Macbeth, and with a more subdued upper midrange, Mefisto allows its bass to cut through with more conviction, despite marginally lower volume. Technically, both models are on par — wide, holographic soundstages with pinpoint imaging and exceptional resolution, particularly in the vocal and treble regions. Macbeth may edge out Mefisto slightly in 3D layering, but the difference is subtle.
Build quality remains stellar. Both shells are large but ergonomically contoured, with Mefisto sporting a more sophisticated silver-plated, ruby-inlaid design. Fit is generally secure, though some pressure buildup is felt in longer sessions, mirroring the experience with Macbeth.
While these impressions are early, Mefisto already feels like a more musically expressive and carefully tuned evolution of Forte’s vision. With further listening — and the addition of Eletech’s new Odyssey cable — a fuller review will follow. For now, Mefisto strikes a compelling balance of technical prowess and emotional engagement.
With all that said, here's what you really came here for, some eye candy of Riccardo's new baby. Enjoy!