I’ll raise my hand as one of the outliers who preferred the OG Pilgrim over the Noir. Yes, the Noir did have a more forward midrange, as well as a
very slight technical improvement. But, I personally liked the balance and instrument positioning of the OG more. If the pricing rumors are to be believed, I think the it’s the better buy. Again, that’s just me.
I’m on the Alter Ego train as well. Without spoiling my CJ SG post too much, I think it’s a lesson in using unique driver timbres to revitalize a familiar tonality. It didn’t have a sig I’d never heard before, but it did deliver it in a way that felt exciting and new.
The EE proto you’re talking about is the Triton. Think huge, thick lows first, then mids and highs that complement, then a stage that remains impressively clean and wide despite that bass. I personally think it’s a basshead IEM through-and-through, and it’s their best one since the OG LX. I heard they’re trying to give it a teeny bit more balance, which would be welcome, so I look forward to what becomes of it.
Anyway, here’s my list!
1) Lime Ears Terra (Green): This is one of two prototypes Emil brought to SG, and it had some of the most brimming, melodic, sing-song-y mids I heard all trip. In a way, this and the VE X are sides of the same soulful coin. The Terra is its brighter, more vibrant counterpart.
2) Elysian Acoustics Lab Dio: Out of respect for Lee, I’m not gonna comment too much on this one. I’ll just say it was (arguably) the best IEM technically that I heard at the show, and I look forward to the day - year? - he finally gets a CIEM team together.
3) 7th Acoustic Asteria: I was hard on the Supernova for having such a safe tuning, and I basically berated them at PAPI (Portable Audio Party Indonesia) 2023 for doing the same thing to the Asteria prototype they had there. Now, with its latest revision, I’m elated to say that they’ve finally created a flagship was some friggin’ character. Neutral with a sub-bass lift, outstanding technique and one of the best high-pass crossovers I heard all show (meaning where the bass cuts off and transitions to the midrange), this one is a serious one to watch, and it couldn’t be prouder that it’s coming from Indonesia.
4) Noble Audio Onyx: It’s my favorite Noble release by a country mile. As someone who found the Ragnar
far too bright and the Ronin too mushy, the Onyx is a brilliant in-between. It’s a dense, solid, weighty IEM with the perfect amount of cut to its treble and superb technique. I look forward to when Noble decide to offer it in custom form, so I can daydream about owning one.
5) EE Triton: See above.
I’ll give the Alter Ego an honorable mention too. It’s too pricey for me to own as a universal. It’s at a price range where I’m strictly
custom or nothing. But, from its build quality, to its tuning versatility, to how well both tunings are executed… I’m hard-pressed to fault it. ‘Excellent work from Melodic Artification, Lord help that tongue-twister of a name.
This is one that I unfortunately missed at CanJam. Every time I walked past, it was always occupied. ‘Also was a bit disappointed that the Y-splits weren’t there for the Euclid and Aristotle. Eric said the CNC work was underway, and the short window between CJ NY and SG meant he couldn’t present them at the latter show. But, I did get to have a feel for the cables, and they were silky-smooth as always, despite the bigger gauge.
I listened to it again at CJ after hearing all the big dogs, and I was relieved to find it still
easily amongst the top. Getting one in custom form today or tomorrow, as soon as I get this design locked in.