Been there, done that. Sounded exactly the way I describe it : narrower soundstage, all around brighter balance. Both things thare are going the wrong way IMO considering the stock nature of 009.
Ali
I agree on this. In my (basic) test adding clamping has a crude alteration to the sound as a basic EQ would, reduces the soundstage and increases the bass a bit but encourages a bass bump or one note effect. Don't forget you are reducing the air volume in the cavity between your ear and the sound panels, bit like putting a big speaker in a smaller box, it doesn't always work. Then the added heat and discomfort and strain on the frames. TBH I believe it is a non starter. I am more interested in angling the panels as The Attorney mentioned. I note the 007 has a bit more angling in the pads. So if I had the resources, I would make some custom pads with more thickness to the rear to see if it increased the soundstage effect.
Back to the reason to try the clamping, is it you want more bass? What amp and DAC are you using? I have no problem with bass TBH. And besides, I am conscious I spent 3.5K on the 009s so don't want to trash them. I would recommend testing out theories on an old Lambda pair and use the Mother in law for the clamping force testing. Should do the job fine.
'Love the picture!
IMO, increased clamping improves the sound stage in these ways. Individual instruments in the sound stage have narrower images, so the sound stage appears more "open", with the added advantage (for me) that I can more easily separate different instruments in space as well as in musical line and timbre. I have not noticed that the centers of images of individual instruments get closer together. Secondly, clamping makes it easier for my ear to "automatically" differentiate direct sound from reflected sound, creating the (faithful) impression of real instruments in a real recording space.
Could both of you give me a few more words on how clamping degrades the soundstage, so I can understand how it is different from what I am focusing on?
Re. bass, when I did ABA... tests, I consciously decided that the bass level was not changed all the much with clamping, but that the bass had more "impact" and/or "weight". Empirically, e.g., I can hear more clearly the bowing of double basses, whether solo or massed. Emotionally, for me, they have more "weight" that way. My *hypothesis* is that, for bass instruments, their harmonics are more coherent. For example, for bowed double bass, the bow interacts with the strings with a stick/slip process, giving many "micro transients" at the slip events. In order for the harmonics to add up to reproduce these micro transients, their coherency must be maintained. In order for coherency to be preserved by the diaphragm of the electrostatic driver, its "mechanical ground" (the ear cups) must not be moving at any of the frequencies of interest. (End of hypothesis.)
To answer the question explicitly, knowing what I know today, I do not want *more* bass than stock 009s offer, just bass with greater fidelity.
I am using the BHSE with Philips Metal Base EL34s.
While I did a (successful) spot check with my Bryston BDA-2 and hi-res files, the bulk of my comparisons are done with my analog front end which is far better than the BDA-2 in the domains being discussed. (E.g., my analog is *not* better than the BDA-2 in the domains of random uncorrelated noise, a.k.a. hiss, or ticks and pops.)
I do disagree with the analogy between volume between ES diaphragm and ear and the volume of a room with speakers. Acoustic interaction in the two cases is quite different because, for the former, the effective dimensions are much smaller than the bulk of the effective wavelengths, whereas, for the other, they are much longer. 'Two very different acoustic regimes.