Paladin79
Previously MOT: Cables For Less
Now that many have spoken, the Incubus amp I designed does show a slight hum with no signal with the perforated plate Melz but not the solid plate. Bill's reactions are slightly different but this man hears things in tubes like no other person I know of so I certainly respect his opinion. I get no hum with other tubes and with the perforated plates it is slight. Oh yeah and I should mention Bills Incubus has some solid silver wire he donated to be used in his amp as well as some other parts I used in my vary own amp but few others.This is what I PM'd @Paladin79 after I'd listened to the '58 Melz:
1) As I mentioned previously (and my thoughts haven't changed), this tube extracts low-level detail better than most anything I've heard. I don't mean in-your-face hyped up treble, I'm talking about the longer fade into complete silence of a note. The multiples of harmonics that accompany a note. The more individualized voices in the audience of a live recording. All those 'background' type things that happen and that you can hear in live music, but too often go missing in an audio system reproduction. Makes things more real, if you will.
2) Treble is extended and airy without ever being fatiguing or out of proportion.
3) Nice depth to the soundstage, especially compared to the Foton. Width is about the same, but the Melz is deeper and there is better imaging of performers in their own space.
4) Bass is nicely extended and has exceedingly good definition. It's missing that little bump in the upper bass that the Foton has. That may be a coloration of the Foton -- who knows -- but I like it as it seems to add a nice rhythmic quality to the music. Not that the Melz is necessarily deficient in this area, just that it's an area the Foton excels in and scores highly for my personal preferences.
I get a very slight hum in the Incubus with no signal and the volume control in the 2:00 - 4:00 position. Below 2:00 and above 4:00, totally silent. I still don't understand that 2:00 - 4:00 (minor) hum and then no hum from 4:00 to 5:00, but the Melz is not the only tube that does that. I don't listen above 12:00 on anything so it's irrelevant musically -- just a test observation.
The Melz is awesome with a TS 5998, Chatham 6AS7, RCA 6AS7GA, and the Mullard 6080. It's not the best combo with the Cetron 7236...that tube needs a really warm driver tube (the GEC L63's are heavenly with it). The Melz is more neutral to my ears -- slightly to the warm side of neutral, but just slightly.
So in all, nice find! I'd put this Melz in my (personal) top 5. I like it better than the holey plate Melz -- it's just more musical to my ears.
Ripper may give his impressions later after he watches the Cowboys and Washington slug it out for bottom place in their division.
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