Lan647
1000+ Head-Fier
If only they keep the 3 level bass boost functionality.
If only they keep the 3 level bass boost functionality.
700 hours on K701. Oh my.Yes. K701 are crazy phones. In fact, my K701 is already 1 year in me. I assume it got near 700 hours too. Sometimes its hard to put K701 on my ears when only amp by a porta amplifier. It is just now that I really like my K701. A fully burn K701 and a fully burn E9 is better. I'm happy about your story jeffrey. But I think we need some more powerful amps in the future. Let's face it!
I have a hideously expensive system with Quad 989 electrostatics, BAT VK-120 mono tube amps, Vandersteen subwoofers (a stereo pair), the Aesthetix dual-mono tube preamp, etc. It sounds wonderful, but I would rather have the money back. The reason I got interested in headphones is because I am sick of high-end audio,
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Umm the E9 and E11 are both amps. Compatibility? You shouldn't wanna pair up an amp with another amp... unless you're referring to the E17, which is a dac/amp and still a ways off.
Just noticed with my D7000 that the low and high gain switch definitely sounds a little different at similar volume levels.
Low Gain sounds more balanced. The bass is more subdued in low gain, and the highs aren't as sparkly, but everything has a sense of uniformity. Just slightly less exciting than high gain.
High Gain sounds more dynamic. The bass is more impactful than low gain, and tighter. The highs seems to have a slight bit more emphasis. If I found a headphone to be edgy, I'd use the low gain option on the E9.
The differences are within the range of 5%. It's incredibly subtle, but pay attention and you will notice them.
Anyone else care to compare the difference with their headphones?
Fourteenth A / B comparison: Beta 22 & Fii0 E9 :: USING THE AUDIO-GD NFB-10ES AS THE SOURCE (instead of the earlier Cambridge DAC Magic)
THIS IS NOT A SCIENTIFIC TEST.
The Audio-Gd NFB-10ES uses a newer-generation, more sophisticated DAC, and it uses all discrete analog stages instead of IC op amps like the DAC Magic. In addition, the Audio-Gd NFB-10ES uses "boutique" capacitors whilst the DAC Magic uses garden-variety electrolytics in it's signal path. On top of this, the power supply for the Audio-Gd NFB-10ES is much larger, much more sophisticated and more tightly regulated / lower impedance than the "wall wart" that powers the DAC Magic. PLEASE NOTE THIS IS NOT A COMPARISON OF THE TWO DACs. That will come later, in another thread.
LCD-2: I heard a slight difference in bass, with the Beta 22 delivering more texture. Both amps had good bass extension. Midrange was identical as far as I could hear. I could hear a minor difference in treble, but I am hard pressed to characterize it because the difference was so small.
HD800: These headphones, with their treble emphasis, pointed up the high frequency differences of these two amps more clearly. The FiiO had a more romantic sounding top end, while the Beta 22 was clinical. The Beta had greater transparency and you could "hear through" to the original recording more- for good or ill. On some recordings a more honest presentation helped me hear flaws in the recording. On such recordings, any harshness present in the original material was clearly audible through the Beta 22 to the HD800s. If the original recording was fine and sweet, then it sounded that way on the HD800's through the Beta. The FiiO had that small amount of romantic lushness. Bass texture was also better with the beta 22 on the HD800s but this was not as noticeable as with the LCD-2's; HD800s just don't have the bass performance of the planar 'phones, and so the richer texture from the Beta doesn't stand out as much as with the LCD-2's.
I can't comment on the sound of the DAC Magic vs. the NFB-10ES, as I did not compare them directly; that will come later, in another thread. I will say that with the DAC Magic I heard minor differences in the bass and treble between these two amps. And now with the NFB-10ES I again heard minor differences between the amps. Using a better DAC did not point out glaring differences between these amps. I would be prepared to say that I MIGHT have heard a little more difference in the amps using th NFB-10ES as a source, but that it is really hard to say if that's real or something based on preconceptions.
milosz
Again, milosz has proven to me what I have been saying all this time, minor differences in neutral amps, as long as the power supplied to the headphones is adequate. It's just common sense, sense that this thread has brought out to the light. $130 holding up against an amp cost 10x+ Lol. Watch the haters come out of the woodwork.
Though I'm gonna be the getting the Lyr soon, I knew the E9 was a beast of an amp.
Watch, next thing someone is gonna say: "You need a $2000 DAC to REALLY bring out the Beta22's potential!". As if the same thing couldn't be said if the E9. Lol. Hopefully this will put haters to rest, though we all know people wanna justify all that hard earned money going to such high priced equipment.
I have been saying it time and time again, people pay for an amp's own signature and how it synergizes with their headphones. When you take out coloration away from the equation (by neutral amps), then suddenly the differences just don't warrant such a huge price gap.
This is why I'll be getting the Lyr and trying to pair it up with the most neutral tubes I can afford, that way it feeds enough power with any headphone I can throw at it without really altering the sound of my headphones. I don't expect much of an improvement if any on my D7000, but will HOPE it does outclass the E9 with my soon to come HE-4 after I get the Lyr sometime soon.
I'm not a soundstage or 'spatial depth' nut. I just wanna hear the music. Even if the soundstage was as tight as most Grados, I wouldn't deem it inferior. I want crisp, clear quality first, everything else comes after.