A/U12t is far and away the most technical of the 3, it's very obvious to me going back and forth with 6t. 12t has about the most perfectly spherical soundstage I've ever heard coupled with excellent detail retrieval, instrument placement, and remarkable sub-bass extension. For me, 12t is only 'boring' in that it just about perfectly renders whatever you are listening to in it's most natural state absent of much colouration, which lets me hear deeply into how the music was written and performed. This kind of listening I do not find boring at all, and if I do want some colour, well I've got that covered elsewhere.
I heard 4s to be very similar to 6t, although perhaps a bit more U-shaped with a slightly more emphasised sub-bass, whereas I find 6t to be just a bit warmer in the lower mids. My preference leans more toward the 6t, but 4s is very much it's equal, just with that tilt more toward sub-bass.