draytonklammer
Headphoneus Supremus
I guess it's weird to think that I may end up liking up more than the LCD-4, I find the LCD-4 simply stunning.
I guess it's weird to think that I may end up liking up more than the LCD-4, I find the LCD-4 simply stunning.
Although I do agree with that, economically I need to find the one for me.
Right now I am extremely happy with the LCD-4, but am curious to give the Abyss a well deserved week or so.
Although I do agree with that, economically I need to find the one for me.
Right now I am extremely happy with the LCD-4, but am curious to give the Abyss a well deserved week or so.
I can understand that.
It's much easier to get into the music when you're not half-wondering if American Express has a hitman looking for you.
(I kid, entirely ... just part of a line I loved from a movie).
I would be interested in views on whether the Abyss would pair well with the Chord Dave. My current headphone system is AK380/Dave/HE1000, and I also have the HD800. I've just tried the LCD-4 on loan for a week and might end up buying it even though it has an odd and exaggerated top end. But I returned it today as I wanted to hear the Abyss first before deciding. Thanks in advance for any thoughts.
Zardon, thanks. I'm not very experienced in using hifi terms to describe what I am hearing and I don't have much if any technical knowledge that is relevant here but I suspect I was hearing the same as Tyll Hertsens described hearing in his recent Inner Fidelity review of the LCD-4, describing a dip in the mid high frequencies and a bump right at the top. I certainly didn't notice this in every track but it was there on occasion and and once or twice was slightly uncomfortable to listen to. With the Abyss I am hoping to hear the same weight and control at the bottom end andwarm rich handling of female vocals in the mid range that I heard with the LCD-4 but a better behaved treble. Cheers
Thats the joys with this, we all hear differently and want different things.
Hello the forum,
Really true.
The LCD4 are very well built cans and differ from the Audeze products line with their very good medium reproduction. High level rendering on l'Ariodante (Anne Sophie Mutter) or l'Orfeo (Jodi Savall).
Personally my main concern is to listen to large scale phalanxes playing Berlioz, Shostakovich , Mahler.
On this kind of tracks the LCD4 are acting like cans, head centered, and there is no other choice than Abyss or choose a speakers system.
BHSE and SR009 too detailed for the music style. Not enough sustained bass.
Cavalli, Chord TT or iFi micro DSD are good choices to drive the Abyss but lack of dynamics in the very quick transitions.
Actually found only the Egoista VIVA with its two 845 1000V tubes and 15W rms able to move the membranes at the desired levels. Velocity and transparency.
Perhaps the HeadTrip also ??
Here is my personal return regarding the Abyss.
Hello the forum,
Really true.
The LCD4 are very well built cans and differ from the Audeze products line with their very good medium reproduction. High level rendering on l'Ariodante (Anne Sophie Mutter) or l'Orfeo (Jodi Savall).
Personally my main concern is to listen to large scale phalanxes playing Berlioz, Shostakovich , Mahler.
On this kind of tracks the LCD4 are acting like cans, head centered, and there is no other choice than Abyss or choose a speakers system.
BHSE and SR009 too detailed for the music style. Not enough sustained bass.
Cavalli, Chord TT or iFi micro DSD are good choices to drive the Abyss but lack of dynamics in the very quick transitions.
Actually found only the Egoista VIVA with its two 845 1000V tubes and 15W rms able to move the membranes at the desired levels. Velocity and transparency.
Perhaps the HeadTrip also ??
Here is my personal return regarding the Abyss.