That's super helpful! I thought that there might be a couple of IEMs that have a flat impedance-vs.frequency, but it's not something that is clarified much in the IEM world, as the Enlenum is something of an outlier as far as amp designs go.I have a few dynamic-driver IEMs. With the exception of Zero Red whose FR is designed to interact with the output impedance, everything else works with the current output. The improvement/change going from voltage output to current output on my E500 is quite staggering, in a good way. The imaging improves vastly and the treble is more refined, all without changing the FR. The midrange sounds completely different from what I'm used to hearing from the E500 on different setups, and I don't think the word "imaging" captures well the differences I hear. But it is a favorable change nonetheless. I posted some measurement here.
The voltage output and current output have an identical FR, so I'd say it was "compatible". The change going from Hugo2 to Hugo2+23RM voltage was a <5% improvement in soundstage, imaging and depth. But the overall presentation of the music is still the same and familiar. The change going from Hugo2+23RM voltage to Hugo2+23RM current is hard to quantify. The treble is straight up better. But the rest is almost like someone did a remastering on the recording. If you are familiar with audiophile remastering, it sounds like an AP remaster instead of a MFSL remaster. Very hard to describe... With the voltage output, the music sounds more "whole", you know, like how it is supposed to be. I hear the soundstage as outlined by the decay of instruments. With the current output, the music doesn't sound "whole" anymore; instead, I hear individual instruments playing, somewhat disconnected from each other. The decays are still audible but more localized. I "hear" less of the soundstage. Perhaps "dry" (as in reverberation) is the word I'm looking for...
Another thing to note is that I find myself listening to the current output at a higher overall volume than the voltage output. One thing I've learned from the hobby is that if a change in the chain makes me want to withstand loudness, then the change is a favorable one. So I'd say I like this current output.
I recommend not using the line out mode. It's just a volume setting on the Hugo 2, as it doesn't have a separate circuit for a line out (the design is significantly different to a typical DAC). Rob Watts did post somewhere what colour corresponds to what voltage somewhere.Hugo 2's line out is 3Vrms, very high. At 3Vrms I can hear clipping from the 23RM, so I have to connect the Hugo 2 via pre out. I set the volume on the Hugo 2 to about 1/3 of the way (not sure what Vrms it corresponds to), set the volume on 23RM on low gain to about 11, and listen to the E500. I adjust the volume on Hugo 2 instead of the 23RM because 23RM's volume step is larger.