I didn't use any measuring equipment to determine the power output; it was just through subjective listening. I was using my V-Moda M-100 headphones with my Rockboxed iPod Classic, and while using the headphone output port on the iPod, running through the line input of the Cayin C5. (This is how I always listen.)
I don't use the 30-pin port on the iPod (as a line-out) for listening, because this will disable the volume control on the iPod. The way I listen (with "double amping") makes no audible difference in the sound quality for me, nor does it affect the power output of the Cayin C5.
For the EQ settings, I only used my M-100s, so I can't be sure that my "adjustment" numbers will apply to other kinds of headphones. These numbers may or may not apply to other headphones; I just haven't tested that.
Anyway, if you haven't already, I'd strongly suggest that you follow this link to my in-depth comparison post from April 2015, comparing the E12A to the C5. Regarding the power output, here's a little excerpt from it:
In other words, the E12A is rated at 400mW, so if the Cayin C5 has 2.25 times that amount, then that comes to 900mW for the C5. Check out that link!
Yes, I have read the link before, but since you didn't specify the detail of your testing/audition at your post, so I need to clarify the issues.
If you are not using any measurement tools, and is "rating" an amplifier with subjective experience, then your experience will be affected by the gears (especially the headphone) you used. If your original statement has included V-Moda M-100 as reference and do not generalize as a broadly applicable standard , it will make more sense.
The V-mode M100 is a high sensitivity low impedance headphone headphone (103 dB @ 1kHz 1mW, 32ohm), based on my personal experience and numerous reviewers, it is easy to drive, smartphone friendly and doesn’t need an amplifier to sound good. While I consider M100 as a fun, excited and interesting headphone, I don't think this is a good reference tool on "rating" of output power of headphone amplifier, especially if you want to generalize your finding. Your personal experience will certainly be very different if you were to use a low sensitivity Fostex T50RP (50 ohm, 92dB (at 1kHz, 1mW)) or a high impedance Sennheiser HD 650 (300ohm, 112dB/mW).
If you specify your power rating observation are relevant to certain (or one particular) headphone, I certainly think that is a valid observation and applause for your sharing. However if you want to generalize your power rating as our general product characteristic, I would certainly challenger the validity of your opinion.
In addition, you are implying that if the source equipment has 10 bands EQ feature, then after your proposed EQ setting, you can change the A5 to sound like C5, with or without bass boost. If this is an EQ setting that were only relevant for rockboxed ipod and M100, I'll certainly welcome your contribution , but if you were to generalize your opinion, I would like to highlight several problems such as:
- Not all DAP/smarthpone with EQ sounds the same
- If you change the source or the headphone, it might not necessary be possible to stimulate the sound signature of another amplifier through "simple" EQ setting.
- You selected a basshead headphone, that will limit the validity of your observation when you want to generalize your opinion.
Regarding the Vmoda M100, I would like to quote the comment from Innerfidelity as follow:
The V-Moda M-100 has dramatically emphasized bass, nominally up about 8-9dB over the mid-range. That's a lot of bass, and it starts to kick in from 400Hz to 200Hz. I would have preferred the bass boost to happen about 100Hz lower. For acoustic music and smooth Jazz like Foreplay or Dave Grusin, this upper bass/low mids accentuation is a bit too thick.
I'd call the treble "sparkly." It's nice and present, without being strident or harsh. It's a bit unnatural though, and lacks extension in the highest octave. The thing is, it works with pop and streaming sources where loudness wars and compressions of all kinds can conspire to make a mess of the treble. The M-100 is wonderfully forgiving here. Assuming you're looking for a fun, bass-rich headphone, I think you'll be quite happy with the treble here. Again, if you're looking for air and transparency, look elsewhere.
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