Does it mean that the CDM is heavily colored?
If it is on the other side of the spectrum, then I would assume that it is not accurate, extremely warm sounding, heavy bass and rolled off treble.
I hope this is not the case.
All,
Just to make sure we are on the same page:
The CDM is
NOT heavily colored.
- Creating an amp/dac that is
not bright / sterile / fatiguing
does not mean it has to be inaccurate, heavily colored, extremely warm and heavy.
- And by having a dual mono tube front end, it
does not mean it is going to be overly warm and rolled off.
Quite the contrary - we wanted the CDM to be very extended and resolving, AND to be very natural sounding. Both requirements were equally important, along with wanting the midrange to have beautiful tone - the bass to have good punch and attack - the treble to be open and airy (spaciousness on CDM is awesome!).
Using the dual mono 6111 tube input stage (in a way that was not used before in the previous Continentals - or any other portable for that matter) played a big role in this. There are no DC-DC converters in the CDM. A linear voltage regulators. No transformers. With most IEM's, you'd use the CDM on low-gain and the low noise floor and absence of microphonics are excellent (a huge improvement over the previous Continentals).
We also used the best battery pack we could fit in there - using the same Panasonic 18650 cells as used in the Tesla (not far cheaper and inferior 18650s that have flooded the battery market). Our battery pack has low impedance / high output current and also is a large contributor to the sound.
Implementation is everything! And I've been working on the CDM with ALO for well over a year. We wanted to get the sound just right, and it has taken many months of fine-tuning, listening, many board revisions, etc. If Ken had it his way, it would have been available last Fall. But we were still refining and were not going to release it until we got the sound just right.
As for the dac...
I'm interested in this amp, it looks beautiful. I wonder though, wouldn't the use of CS4398 be better? As far as I know it's a more modern chip and you used it in your cheaper products.
I could have easily used CS4398, Sabre, etc. In fact, CS4398 uses less power (= better battery life), and is much lower cost. But we all agreed on how the WM8741 (
with minimal phase digital filter setting = no pre-ringing) was the most natural and analog sounding. Again, it met the criteria that we were looking for above - extended, resolving, but natural.
And yes, I've worked with the WM8741 with the RWAK100-S and RWAK120-S/B mods - and all the feedback from that implementation was overwhelmingly positive that we wanted to use the WM8741 (with an even better implementation of the clocking and analog output stage) in the CDM. The digital section of the CDM is
not a quick "throw in." It's a seriously good sounding dac, and we added a dedicated line out jack on the back panel because of this.
The entire digital section using all linear voltage regulation, a dedicated clock generator IC, and is self-powered (not USB bus powered). If you don't plug in the USB cable, the power to the entire digital section is automatically turned OFF.
I hope not. What I want is neutral, natural, relaxed, non fatiguing but never bright, lean or dark, warm.
Give the CDM a listen - compare it to all the amp/dacs available that you can, and you be the judge.
Speaking of listening, I'll be attending the upcoming NY Headphone Meet (May 2nd) - and I'll bring the CDM prototype to let everyone
listen to.
Ken and the ALO Team are working hard at gearing up for production - and so far, everything sounds like it is going well!
- Vinnie