GuyDebord
1000+ Head-Fier
- Joined
- May 7, 2009
- Posts
- 1,063
- Likes
- 53
After great advice from Blackmore, Kinstaki, Krmathis, HeadphoneAddict and many hours of comparative auditioning the following equipment:
-K1000's with a Manley Stingray and a Leben CS300x
-HD800 with a Lehmann BCL, Graham Slee Solo SRG and a Custom Siemens c3g with boutique components (auriT, alps stepped, WBT, silver wire, etc)
-Stax SRS-007a with a Woo GES maxed with auricaps... and a Stax 007tII
I found the Stax 007a/GES combo superior to the K1000's and HD800‘s in every characteristic except for the beautifully expansive front soundstage the k1000's reproduces and possibly the dynamic volume of the HD800’s .
For my ears, the sound of the stax is the one that gets closer to the sound reproduced in my home hifi rig, transparent, very high resolution, speed and details to die for, plus the bass in the 007a/GES combo flows, it is more natural and precise, tight and with incredible impact, for sure more than the k1000/Leben combo and less artificial than the HD800’s, which in my opinion over emphasize some weird precision that makes them less musical.
One thing that bothered me about the K1000‘s is their wanting to be speakers, this strange factor always made me think of speaker monitors, but they are not quite monitors nor they perform close to them, its almost like their in this twilight zone, in a limbo where they are not headphones, but also they are not monitors... Obviously this is also what sets them apart, and makes them specially unique, their greatest strength is also their greatest weekness... With the Stax combo, I know Im listening to headphones, there is no pretension here, and I feel more comfortable with that since it liberates me from thinking to much about them and permits me to vanish with the music.
What to say about the HD800's... first off, they are screw*ing ugly!!! (I feel bad if someone sees me with them, you look like a power ranger or part of a galactic kids show), they are also super picky and neither of my amps are making them sing, including the fantastic headphone amp of the Leben, it might be that I still need to find a decent amp to drive them, which means another 2k+ expense, and by now, Im very skeptical that the musical rendering would get close to the 007a/GES. However I will try some combos, Im interested in trying out the Phonitor with them, a Cayin and a Luxman.
In the end of this journey, Im only keeping one pair of open cans, thats it, I dont consider myself a headphone collector, so at the moment, the 007a/GES combo is the clear winner as an overall set. I will keep trying to pair the HD800’s and I might dispose of the K1000's soon....
It is important to add that I listen mostly to electronic composition, modern composition, avant-jazz, nu-jazz, electro folk, minimal noise and drone. The musicians or groups played for this really joyful comparative were: Karlheinz Stockhausen, Terry Riley, Bernard Parmegiani, Morton Feldman, Eliane Radigue, Luc Ferrari, Robert Ashley, Tony Conrad, Alva.Noto, Machinefabriek, Sidsel Endressen, Supersilent, Tunng, Ravi Shankar/Philip Glass and Cecil Taylor.
It might be that for rock, metal and pop genres the other combos might perform better, but for orchestra, acoustic and electronic music the 007a/GES combo, to my ears, is the real thing!
The 007's deserve their own thread
-K1000's with a Manley Stingray and a Leben CS300x
-HD800 with a Lehmann BCL, Graham Slee Solo SRG and a Custom Siemens c3g with boutique components (auriT, alps stepped, WBT, silver wire, etc)
-Stax SRS-007a with a Woo GES maxed with auricaps... and a Stax 007tII
I found the Stax 007a/GES combo superior to the K1000's and HD800‘s in every characteristic except for the beautifully expansive front soundstage the k1000's reproduces and possibly the dynamic volume of the HD800’s .
For my ears, the sound of the stax is the one that gets closer to the sound reproduced in my home hifi rig, transparent, very high resolution, speed and details to die for, plus the bass in the 007a/GES combo flows, it is more natural and precise, tight and with incredible impact, for sure more than the k1000/Leben combo and less artificial than the HD800’s, which in my opinion over emphasize some weird precision that makes them less musical.
One thing that bothered me about the K1000‘s is their wanting to be speakers, this strange factor always made me think of speaker monitors, but they are not quite monitors nor they perform close to them, its almost like their in this twilight zone, in a limbo where they are not headphones, but also they are not monitors... Obviously this is also what sets them apart, and makes them specially unique, their greatest strength is also their greatest weekness... With the Stax combo, I know Im listening to headphones, there is no pretension here, and I feel more comfortable with that since it liberates me from thinking to much about them and permits me to vanish with the music.
What to say about the HD800's... first off, they are screw*ing ugly!!! (I feel bad if someone sees me with them, you look like a power ranger or part of a galactic kids show), they are also super picky and neither of my amps are making them sing, including the fantastic headphone amp of the Leben, it might be that I still need to find a decent amp to drive them, which means another 2k+ expense, and by now, Im very skeptical that the musical rendering would get close to the 007a/GES. However I will try some combos, Im interested in trying out the Phonitor with them, a Cayin and a Luxman.
In the end of this journey, Im only keeping one pair of open cans, thats it, I dont consider myself a headphone collector, so at the moment, the 007a/GES combo is the clear winner as an overall set. I will keep trying to pair the HD800’s and I might dispose of the K1000's soon....
It is important to add that I listen mostly to electronic composition, modern composition, avant-jazz, nu-jazz, electro folk, minimal noise and drone. The musicians or groups played for this really joyful comparative were: Karlheinz Stockhausen, Terry Riley, Bernard Parmegiani, Morton Feldman, Eliane Radigue, Luc Ferrari, Robert Ashley, Tony Conrad, Alva.Noto, Machinefabriek, Sidsel Endressen, Supersilent, Tunng, Ravi Shankar/Philip Glass and Cecil Taylor.
It might be that for rock, metal and pop genres the other combos might perform better, but for orchestra, acoustic and electronic music the 007a/GES combo, to my ears, is the real thing!
The 007's deserve their own thread