palmfish
Headphoneus Supremus
I've posted on a few threads but thought I'd start my own and seek some expert opinions.
I'm still pretty new to headphones but I've been learning and listening a lot over the past few weeks.
This all started a month ago when I ordered a pair of Sennheiser HD598's to listen to music without disturbing my wife/kids in the evening. I chose them because I thought an open headphone would sound more spacious, my dad had a pair of Sennheisers a long time ago, and I read some nice reviews of them. Anyways, I am using my 80's vintage Carver Receiver (MXR-130), Pioneer PL-707 turntable, Denon DR-M44 cassette deck, and Pioneer DV-578a universal DVD/SACD player. Long story short, the 598s sounded horrible plugged into my receiver - muddy bloated bass that wouldn't go away even with the bass tone control turned all the way down. I ordered a pair of 650s and things improved a lot, but I still wasn't happy - bass is still blooming with no punch or definition. So I brought up my Oppo BDP-83 BluRay player from my home theater and replaced the Pioneer DVD player. The analog output of the Oppo is clearly better than my Pioneer DVD player and everything tightened up pretty well, but I'm still not happy with the sound. Finally, I ordered a Schiit Audio Asgard to see how much (if at all) my Carver Receiver is coloring the sound. I also acquired an HD600 for a three-way comparison.
I'm currently in the middle of auditioning the 650, 600, and 598 to see which one suits me best. I'm using my Oppo BDP-83 analog out plugged directly into the Schiit Asgard.
My feeling about the 650 is difficult to reconcile. It sounds different depending on the disc I'm spinning. For tight production studio rock, it seems to really sound good - no treble deficiency whatsoever and nice tight bass. Of course the mids are forward in a pleasant way.
On the other hand, the problem I have with them is with many close-mike recorded jazz. Here, the low freqs loose their punch and standing bass and bass guitars often bloom. On a lot of these recordings, I do think the forward mids cover (?) the treble and make them sound dark. Gentle wire brush strokes, rim shots, and high hats are sometimes almost completely veiled.
On the other hand, the 598 has leaner bass than the 650. It never gets as tight and punchy with rock, but it suffers from the same bloom with jazz. Treble, to my ears, is way too strident. That's personal taste I think, but I much prefer the accurate treble of the 650's when they are singing. What I do really like about the 598 is the airiness and space. They sound more ethereal compared to the thicker 650. They also weigh less, clamp less, and sit more comfortably on my head.
For me, the 600 has some qualities of both the 650 and 598. The treble is too bright for my taste and the bass is too lean. Yet, it also doesn't have the airiness of the 598 - it's more closed sounding like the 650. I've pretty much eliminated 600 from contention. I have already had a taste of the 650 sounding really, really good and I want more of that. Trouble is, I can't get it with all of my music for a variety of reasons.
Today, I plugged the 650s into my vintage receiver and switched back and forth from the Asgard to adjust the receiver tone controls to closely emulate the sound of the Asgard. It was mostly a success except I couldn't get the receiver to get that last smidge of bass punch that the Asgard delivers. Otherwise, they sound almost identical to me now - to the point where I think I will return the Asgard and seek out an amplifier that will power the 650s to greater heights. Another bonus with the Carver is I can tweak the treble tone control up a couple of dB and get some more treble out of the dark recordings. This kind of validates my impression that the 650s are the ones to keep. Finally, I think the 650's have room to grow with better and better equipment as my system evolves.
What I would love to find is a source/(DAC?)/amp/headphone/ combo that has the basic sound character of the 650 but with a smidge more treble, tighter bass control, and a more open, spacious sound.
The challenge of course is that every disc is mastered differently (I have, for example, three different recordings of Alan Parsons Project - Turn of a friendly Card, and each of them sounds different), so I can never get a consistent result. I'm wide open for acquiring any components I need to deliver the sound I'm looking for - integrated with my current vintage analog gear or not. I'm frugal and value bang-for-the-buck, so while I'm willing to spend whatever it takes to be happy, I want to get the most for the least. The law of diminishing returns and all...
Here's a sampling of some of the music I've used to evaluate...
Redbook CD:
Steve Winwood - Back in the High Life
Fleetwood Mac - Rumors
Paul Simon - Graceland
Alan Parsons Project - Turn of a Friendly Card
Supertramp - Even in the Quietest Moments
k.d. lang - Ingenue
Lyle Lovit - Joshua Judges Ruth
Diana Krall - The Look of Love
Hugh Masekela - Hope
Holst - The Planets (London - Dutoit/MSO)
SACD/DVD-A:
Steely Dan - Gaucho
Roxy Music - Avalon
Dire Straits - Brother in Arms
Diana Krall - The Girl in the Other Room
Patricia Barber - Modern Cool
Porcupine Tree - in absentia
Stan Getz - Getz/Gilberto
Berlioz - Symphonie Fantastique (RCA - Munch/BSO)
Again, with a few exeptions, the jazz discs by and large sound somewhat muddy on the 650s and clear on the 598/600s. For pop/rock, the 650's typically tame the brightness and sound sweet and natural with nice punchy dynamics.
I'm curious to hear if others have experienced similar difficulty in categorizing and choosing a setup that matches their listening tastes. Also, I'm wondering if maybe someone has some suggestions on how to better listen to my music. My listening corner is still a clean slate, so I'm open to loading my music on a computer and streaming it digitally to a DAC, or maybe replacing my vintage receiver with a modern receiver than plays well with headphones and speakers. Maybe there is a better choice of amp and/or another model headphone that will better suit my tastes? I would even consider not listening to LP's or tapes through headphones (it doesn't seem like there is any solution that will do digital AND analog well) if that's what it will take to enjoy my heaphones and find some synergy.
Hopefully, by including some of my musical taste and a description of what I'm hearing and what I'm looking for someone will have some opinions/advice?
I'm still pretty new to headphones but I've been learning and listening a lot over the past few weeks.
This all started a month ago when I ordered a pair of Sennheiser HD598's to listen to music without disturbing my wife/kids in the evening. I chose them because I thought an open headphone would sound more spacious, my dad had a pair of Sennheisers a long time ago, and I read some nice reviews of them. Anyways, I am using my 80's vintage Carver Receiver (MXR-130), Pioneer PL-707 turntable, Denon DR-M44 cassette deck, and Pioneer DV-578a universal DVD/SACD player. Long story short, the 598s sounded horrible plugged into my receiver - muddy bloated bass that wouldn't go away even with the bass tone control turned all the way down. I ordered a pair of 650s and things improved a lot, but I still wasn't happy - bass is still blooming with no punch or definition. So I brought up my Oppo BDP-83 BluRay player from my home theater and replaced the Pioneer DVD player. The analog output of the Oppo is clearly better than my Pioneer DVD player and everything tightened up pretty well, but I'm still not happy with the sound. Finally, I ordered a Schiit Audio Asgard to see how much (if at all) my Carver Receiver is coloring the sound. I also acquired an HD600 for a three-way comparison.
I'm currently in the middle of auditioning the 650, 600, and 598 to see which one suits me best. I'm using my Oppo BDP-83 analog out plugged directly into the Schiit Asgard.
My feeling about the 650 is difficult to reconcile. It sounds different depending on the disc I'm spinning. For tight production studio rock, it seems to really sound good - no treble deficiency whatsoever and nice tight bass. Of course the mids are forward in a pleasant way.
On the other hand, the problem I have with them is with many close-mike recorded jazz. Here, the low freqs loose their punch and standing bass and bass guitars often bloom. On a lot of these recordings, I do think the forward mids cover (?) the treble and make them sound dark. Gentle wire brush strokes, rim shots, and high hats are sometimes almost completely veiled.
On the other hand, the 598 has leaner bass than the 650. It never gets as tight and punchy with rock, but it suffers from the same bloom with jazz. Treble, to my ears, is way too strident. That's personal taste I think, but I much prefer the accurate treble of the 650's when they are singing. What I do really like about the 598 is the airiness and space. They sound more ethereal compared to the thicker 650. They also weigh less, clamp less, and sit more comfortably on my head.
For me, the 600 has some qualities of both the 650 and 598. The treble is too bright for my taste and the bass is too lean. Yet, it also doesn't have the airiness of the 598 - it's more closed sounding like the 650. I've pretty much eliminated 600 from contention. I have already had a taste of the 650 sounding really, really good and I want more of that. Trouble is, I can't get it with all of my music for a variety of reasons.
Today, I plugged the 650s into my vintage receiver and switched back and forth from the Asgard to adjust the receiver tone controls to closely emulate the sound of the Asgard. It was mostly a success except I couldn't get the receiver to get that last smidge of bass punch that the Asgard delivers. Otherwise, they sound almost identical to me now - to the point where I think I will return the Asgard and seek out an amplifier that will power the 650s to greater heights. Another bonus with the Carver is I can tweak the treble tone control up a couple of dB and get some more treble out of the dark recordings. This kind of validates my impression that the 650s are the ones to keep. Finally, I think the 650's have room to grow with better and better equipment as my system evolves.
What I would love to find is a source/(DAC?)/amp/headphone/ combo that has the basic sound character of the 650 but with a smidge more treble, tighter bass control, and a more open, spacious sound.
The challenge of course is that every disc is mastered differently (I have, for example, three different recordings of Alan Parsons Project - Turn of a friendly Card, and each of them sounds different), so I can never get a consistent result. I'm wide open for acquiring any components I need to deliver the sound I'm looking for - integrated with my current vintage analog gear or not. I'm frugal and value bang-for-the-buck, so while I'm willing to spend whatever it takes to be happy, I want to get the most for the least. The law of diminishing returns and all...
Here's a sampling of some of the music I've used to evaluate...
Redbook CD:
Steve Winwood - Back in the High Life
Fleetwood Mac - Rumors
Paul Simon - Graceland
Alan Parsons Project - Turn of a Friendly Card
Supertramp - Even in the Quietest Moments
k.d. lang - Ingenue
Lyle Lovit - Joshua Judges Ruth
Diana Krall - The Look of Love
Hugh Masekela - Hope
Holst - The Planets (London - Dutoit/MSO)
SACD/DVD-A:
Steely Dan - Gaucho
Roxy Music - Avalon
Dire Straits - Brother in Arms
Diana Krall - The Girl in the Other Room
Patricia Barber - Modern Cool
Porcupine Tree - in absentia
Stan Getz - Getz/Gilberto
Berlioz - Symphonie Fantastique (RCA - Munch/BSO)
Again, with a few exeptions, the jazz discs by and large sound somewhat muddy on the 650s and clear on the 598/600s. For pop/rock, the 650's typically tame the brightness and sound sweet and natural with nice punchy dynamics.
I'm curious to hear if others have experienced similar difficulty in categorizing and choosing a setup that matches their listening tastes. Also, I'm wondering if maybe someone has some suggestions on how to better listen to my music. My listening corner is still a clean slate, so I'm open to loading my music on a computer and streaming it digitally to a DAC, or maybe replacing my vintage receiver with a modern receiver than plays well with headphones and speakers. Maybe there is a better choice of amp and/or another model headphone that will better suit my tastes? I would even consider not listening to LP's or tapes through headphones (it doesn't seem like there is any solution that will do digital AND analog well) if that's what it will take to enjoy my heaphones and find some synergy.
Hopefully, by including some of my musical taste and a description of what I'm hearing and what I'm looking for someone will have some opinions/advice?