Sonywalkmanuser
Headphoneus Supremus
Although all these can be considered as purely marketing articles from the Sony site, it seems to be a very common theme that Sony likes to get musicians to give their sound impressions on the Walkman/other audio products. I think this could be how Sony audio engineers would have worked with their own inhouse record label musicians & studio engineers to gather feedback about the Walkman's sound tuning & sound processing algorthims.
Sony would even record the interview of the audience's impressions of their 360RA system:
Even more artiste:
https://www.sony.jp/headphone/lovemusic/
https://www.sony.jp/feature/products/playingtime01_1/?s_pid=feature_products_189What I felt with the Walkman "NW-ZX707" and the headphones "IER-M7"
is that "the mode in which you face the sound changes."
It feels like you're checking it out in a recording studio.
“I also like R&B and hip-hop, and I listen to Beyoncé a lot, but I had a chance to listen to an a cappella and instrumental version of the song ``CUFF IT.'' With this combination of Walkman and headphones, When I tried streaming it, I was surprised to find that it felt like I was checking it out in a recording studio.Usually, when I check a song that has been mixed, I listen to the different parts of the song separately. I feel like I'm listening to and checking my own songs using special equipment in the studio.The clear sound brings to mind images of the studio. Now, that atmosphere has come back to me.When I actually listened to some of my own songs, I noticed that in the binaural versions of the songs I could hear collisions of sounds that I hadn't noticed before, and that I should be careful when mixing. I also noticed this.If I ever go to check a mix in a situation where I can't go to the studio, I'll have to listen to this kind of combination, which gave me a good sense of crisis about my own playback environment.''
https://www.sony.jp/feature/products/230111/Ohashi: The music production environment has changed significantly in the 15 years since my debut. In the past, finishing touches were usually done outside in a studio. However, recently we have been able to create a production environment where everything from recording to mixing can be completed at home, and I actually do the same. That's why I wish there was a music player like the NW-ZX707 that was faithful to the original sound. This allows you to explore more deeply the tone and sound image of each instrument.
https://www.sony.jp/feature/products/220322/?s_pid=feature_products_172What was it?
Honma: What I always thought was the reverb sound was the resonance of the tom in response to the vibrations of the rim shot. I understood it for the first time when I listened to it on "NW-WM1ZM2." This acoustics is something you can't understand unless you listen to it in a recording studio. I was really surprised at how realistic and immersive it felt, just like being at the recording site. I also wanted to tell Tatsuo Hayashi and Masataka Matsutoya, who produced it.
https://www.sony.jp/feature/products/220222/?s_pid=feature_products_170What surprised me was the quality of the sound ,
which felt like listening to work.
``I'm still a heavy listener, and I definitely listen to music while I'm on the move, but cords around my neck bother me, so I use Bluetooth earphones for listening while I'm on the move. I use about 10 different products because each manufacturer has different sound quality and individuality.I'm concerned about optimizing the music genre and setup environment, so I try different earphones that I use every day.So far I have used a variety of earphones, but I feel that the WF-1000XM4 was a great encounter.The first thing that surprised me was that the texture of the songs I listened to on my smartphone, which I listened to on a subscription service, sounded as if I had arranged them myself. It was a level that you could listen to with the same feeling as checking out music in a studio.By upscaling with `` DSEE Extreme *1 '', the sound quality that professionals demand from listening to music on subscriptions is now up to this level. I was genuinely moved by how amazing it was to be able to get so close to it. The sound quality is comparable even if you listen to it with the intention of monitoring or checking rather than listening. I thought I could use it at work too. There are some earphones and headphone products that have extremely unique EQ *2 balances, but since I listen to music in an all-purpose way, regardless of genre, I prefer something that allows me to grasp the entire range. In that respect, I have the impression that the WF-1000XM4 can handle a variety of soundscapes. The entire sound range sounds flat, yet there is no sense of fading, and there is no unnecessary low boost
https://www.sony.jp/feature/products/220322/?s_pid=feature_products_172Um, can I tell you my honest impressions...? Until recently, I had been listening to the very high-quality version that showed its true potential, so as soon as I started streaming the sound source, I felt that the sound quality had become much more minimal, even though I was supposed to be listening to it all the time. However, once I turned on upscaling, things seemed to go back to normal. Even though it wasn't 100%, it felt like it was pretty close to the original sound.
Sony would even record the interview of the audience's impressions of their 360RA system:
We will bring you an interview with an artist who has strong feelings and impressions about Eiichi Otaki and his songs, who will experience the 360 Reality Audio listening experience of "A LONG VACATION". Using Sony's 360 stereophonic sound technology, the audience listened to all of the songs in ``A LONG VACATION'' in a new experience where sounds rained down on them from all directions, and each of them spoke about the charm and discoveries of the songs.
Even more artiste:
https://www.sony.jp/headphone/lovemusic/
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