Moedawg: I shall read your review forthwith.
If you don't mind my say so, it surprises me that you don't drink with an alias like that!
One last post on the topic of filters...
Having given the blues a good going over, I am left with the opinion that they are like an awesome Tshirt, one that I really want, that is a complete mismatch to the tonality of my skin (it could be a singlet actually, for I have the world's most high-contrast Tshirt tan!). I am left with no choice but to leave it on the rack, so to speak.
The white filters bring the music to life in ways that really speak to me. While this remark may contradict many others, I am left wondering why I abandoned the white filters in the first place. With volume capped to 50% (only increasing beyond this point on quite recordings such as Pink Floyd's Wish You Were Here, fatigue is now a non-issue. Moreover, methinks fatigue = hearing damage anyway, for the subtle ringing in my ears at night has been a touch less subtle in recent times. *
The bass isn't diminished per se; instead, its emphasis and positioning is shifted, as it were. In critical listening, it is still as present as it ever was. Yet it is the treble that makes all the difference here. I realise now that I missed the scintillating colour that it provided (I use the term "colour" lightly owing to its negative connotations in audiophillia speak).
I am presently uploading a heap of 24bit-depth music to the GoldenEar app on my iPhone.
Pulse - Live, En Vivo! - Live (Iron Maiden) and a few others.
* At age 32 I have what is probably better hearing than most people my age, thanks to the Apple earbuds, Bose and Beats that kids nowadays punish their ears with, and I must preserve my hearing as it is hugely important to anyone with sight impairment.