After spending an audition period with the 660s2 and being a long time 650 owner, I thought I’d chime in with a few thoughts and comparisons. I won’t waste any time regurgitating the basics regarding build quality, cables, specs etc as those have been hashed out plenty by now. All of my findings are in comparison to the 650 unless otherwise noted.
At the initial listen the first impression that pops out at me is that there is in fact a splash more bass response with the 660s2. To be more accurate, to my somewhat educated ears, the improved bass response seems to be approximately 2db (possibly 3db) more than I’m used to with my trusty 650. Of course, one of the most popular complaints with 650 owners is that lack of (sub) bass and the associated impact that goes with it. Let me note here that most popular music is NOT recorded with sub bass frequencies. However, electronic music is more prone to use actual sub bass response in the frequency range at around 30hz or lower. I like to use the album “Unit” by Scann-Tec to test true sub bass response. The second track on this impressive EDM offering is particularly good at getting down to 30hz with good impact and remaining texturally intact. While the 660s2 does outperform the 650 with bass response on this track, it’s only by a modest margin. I’ve heard many superior efforts by other headphones at producing this track that way that the bass was meant to be experienced. For example, the ETHER 2 by DCA delivers the bass response in this track impressively and somewhat shockingly when compared to the 660s2. Comparatively, the 650 relies more on the infamous “mid-bass hump” to achieve is sonic signature. For me, this works outs wonderfully because I don’t listen to a lot of EDM music anyway and the mid bass hump gives a richer slightly warmer sound to the music I prefer.
Truth be told, 650 owners typically don’t buy this headphone for its impressive bass response, as a planar magnetic offering will almost always have a clear advantage in that capacity. We 650 lovers buy the 650 for the magical midrange. And we’re willing to accept “decent” bass and “smooth” treble as part of the package. Moving on, the treble is in fact “cleaner” and more extended on the 660s2. Has Sennheiser fixed the second shortcoming on my almost perfect 650? Well, sort of. Female vocal tracks that peek into the lower treble range do come across more airy and revealing with the 660s2 if not a little nasally and not quite as natural as on the 650. I will concede that classical music, particularly when an orchestra is led by a violinist, offers better clarity and resolution on the 660s2. In fact, classical music in general plays out better on the 660s2. To be fair Sennheiser has already created the ultimate classical headphone with hd800/800s.
For most of us, given the capacious offerings of 6x0 interations it will often come down to preferences. Some will prefer the 650 to the 600. And now some will opt for the 660s2 over the 650/600. I appreciate the effort Sennheiser has made with the 660s2. But for me and my preferences, it doesn’t quite hit the mark and will not oust the 650 as my favorite in the lineup. If you’ve ever been a musician or been around live music a lot, natural tone will always sit at the top of your list when listening to music with headphones.
Regarding amping. I do most of my testing on the THX789. It’s a fairly neutral amp without much coloring to the signature. When I switched over to the Valhalla 2 and more so when switching to the Bottlehead Crack, the 650 easily pulled ahead of the 660s2. For me, it came down to the ability of the 650 to capture and captivate with those rich, natural vocals causing me to be captivated by the music. While 660s2 did improve on both tube amps, it simply didn’t seem to “scale” as well as the 650. Perhaps on different/more expensive tube amps the results would be different.
660s2 Pros:
*nice looking (best in the lineup)
*design and build are tried and true
*good attempt to improve the sonics in the 6x0 series
*improved dynamics and staging
660s2 Cons:
*doesn’t match the ability to “scale” as well as the 650 or match the 650 “tonality”
*packaging is disappointing at this price
*ultimately does not dethrone the king
Final Edit:
After my review I put the s2 away and listed them for sale. Since they were boxed up for shipping, they were no longer being listened to or reviewed. When I didn’t get an offer on them, I decided to pull them back out and give them another listen. But this time was a little different. I wasn’t listening critically or comparatively against my 650. Also, I decided to listen to the s2 exclusively for several days. And then, something odd happened. I honestly began to really enjoy them. That splash of extra bass and touch of sparkle at the top began to grow on me. I thought to myself, “man, these are actually quite good.” Over the course of the next 5-6 listening sessions with my favorite albums I found myself at the end of the session thinking that the was the most I’d EVER enjoyed listening to that album! That is significant for me. These are recordings that I’ve listened to a hundred times with tons of headphones.
So do I rank them higher than I did originally? Did the extra break in time benefit the sound or did my brain break in with time? And finally, do I rank them better against my 650 than I did originally? At the end of the day, I do think that they are better than I judged them originally. If I’m honest, I probably do suffer from a bit of a love affair with my 650. The s2 is a very good headphone and deserves to be on the short list for anyone looking at the 6x0 series.