MixMasterMan
100+ Head-Fier
- Joined
- Dec 2, 2016
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If you are EQ'ing (applying correction) by ear only, then it is subjective, not objective. Without some instrumentation taking measurements of the FR of the output, you won't have objective, repeatable results each time. "Relative" simply means you have a reference (your main monitors) that you are comparing to the headphone's output you're trying to correct with EQ. The discussion is subjective vs objective, not subjective vs relative.
Then I guess you think that rtings.com frequency response curve of the PM-3 is "misleading" or just flat out wrong, since it shows a treble rise and excess treble up through 10kHz (except for a narrow dip around 4-6kHz)? Innerfidelity graph also shows this dip before rising quite a bit to around 9-10kHz.
http://www.rtings.com/headphones/reviews/oppo/pm-3
https://www.innerfidelity.com/images/OppoPM3SampleB.pdf
When I had the PM-3 my initial impression was that they sounded very neutral, maybe the most neutral of any headphone I heard. Then I started noticing thin vocals. I became convinced when I heard Metallica's Master of Puppets, a track I'm very familiar with. James Hetfield's vocals sounded way too thin. It wasn't his voice I was hearing. The broad treble accentuation could explain this. As far as soundstage goes, rtings.com measure that too. I think it sucks because it's closed back and the cups don't have much room inside, among possibly other factors. The FR is not primarily responsible for soundstage. It has an effect, but minor, compared other factors, like physical space in the cups, distance of driver from ears, closed vs open design, how well matched the drivers are, etc.
I didn't like the 598Cs myself, mostly due to to the hot mids, but also lack of clarity and "air."
First, I've never looked at a frequency graph reading of the PM-3 until just now (maybe I did once months ago, but can't remember). The innerfidelity graph is just about right. That's pretty much exactly how I hear the headphone in terms of FR. Its smooth (with a slight perceived bump around 100-150hz) up through to the treble, then slowly recedes at 2k, dips at around 4k, comes up a tiny bit between 6-9k (but still recessed), and then drops off a cliff at 10k. - Second... STOP referencing "rtings" ...lol - Their graph makes it look like there is a big treble spike/peak compared to the rest of the FR. Which is totally and truly not the case - Accented treble?! - I think most people experienced with audio that have heard the PM-3 would unanimously agree on the recessed treble. I'm a treble MANIAC (I always boost over 4-5k), and the PM-3 has NO air. So yes... it's misleading and perceptively "wrong". Third.... Don't EVER reference Master of Puppets again..lol. - That album sounds like it was recorded and mixed in a sewer. It's a classic, yes, but it has no top end, whatsoever. All the "classic" Metallica albums up until the black album each have big sonic problems (with "Ride the Lightning" sounding the worst). I think "Kill em All" is the most balanced of the first 4. - In general, most metal recordings don't have the dynamic or sonic fidelity I would need in order to test or grade sonic quality of headphones or whatever. There are plenty of awesome sounding metal albums, and I do use a few songs that I think are amazing sounding (in their own way, with a particular set of elements), but I usually use high quality Pop or Trance to test with.
Regarding EQ decisions on headphones and translation to main monitors, I'm talking about individual track decisions in a song project (like eq'ing the bass, guitar, vocal, snare drum, hi-hat, trumpet, etc).