...subtle nuances, like the way a piano is played from key to key in an imperfect manner, the way two different string sections in an orchestra can sound different even though they are playing the same notes, the spooky way the music resonates throughout the concert hall, the subtle imperfections in a singer's voice, little nuanced details like that which make the sound much, much more lifelike and pleasing to listen to.
That's what I'm talking about! : ) And even finer nuances...
I'm not one to say that any particular tube is absolutely the BEST, but I would agree that certain tubes are objectively better. Best is subjective.
And it is very much subject to the synergy of ear, gear, and music/recording choices. However, in pursuit of the aural experience so eloquently stated... : )
Some of the tubes that I have found that approach this Concert Hall Realism with the Lyr, from sub bass to high treble with excellent tonal balance throughout,
from solo string to full orchestra:
9 Pin Novals: RFL 6N3P-E, followed by TS 2CF1 and WE 396 (There are some other 2CF1 I have not heard.)
8 Pin Octals: Ken Rad early '40s JAN CKR 6C8G, followed by the Tung Sol, and some other 6C8Gs.
Yes, YMMV. Especially since I am not familiar with your DAC and headphone.
It may be that your Voskhods are even better than these, only you can determine that, but the handful of Voskhod pairs I have are a notch below these.
I readily suggest these because the cost is so low to give them a try, and add them to your tube library.
The Ken Rad is a little more, about $35/pair, plus adapters/extenders, still very inexpensive compared to other tube choices that approach this performance level.