I'd love to hear your overall thoughts on the H2 vs ADI-2; specifically, sure via the Utopia an H2 would bring out more detail, but you mentioned other non-summit-fi headphones, and I'd be curious to hear your exanded thoughts there (and as DAC only). Obviously the H2 is compelling as a transportable option that can also be a great desktop ...
... but I just can't get myself to buy the H2 because I had real quality issues with the mojo (battery issues, piercing charge whine, cell phone interference, USB jacks soldered right to board so terrified they'll break off, etc) ... then looking at the H2 it looks like a larger mojo with a solid case, but still the same quality/build issues (e.g., you can see the lights between the seam in the halves, usb ports look unsecured to the chassis, etc). Granted I could easily get over that stuff if it was $1200, not the $2600 MSRP - for that I expect damn near perfection.
In any event, if the ADI-2 brings most of the same flexibility (usable as a DAC/amp, small enough to move around the house just have to plug in, great desktop with other amps), most of the sound quality, and for less than half price ... well that's more compelling.
I think with Chord products, the issues are really in the minority. Most of the people I know on head-fi have no issues with Chord products (the one exception being Poly, which was problematic for me on a number of fronts, but really wasn't made by Chord, but rather, outsourced). The USB port soddered on the motherboard is pretty strong. I've cause that kind of damage with other devices, but never with the H2. It's on there pretty solidly. Really, I've never had any problems with any Chord products (again, except the Poly, which was just such a PitA to get working right).
I both love and don't love the H2. When it's paired with very fast headphones, like the Utopia and KSE1200, the sound can be truly stunning at times. But it can also be glaring and wince worthy for some songs too. It's a bit hit or miss, depending on the file I play.
- Most of the time, it's very good
- Some of the time, it's stunning and better than anything I've ever heard.
- Some fo the time, the treble glare makes me wince
The H2, like most DACs, doesn't have any way to really adjust the sound profile. There's the roll-off buttons, but they don't make a dramatic enough difference. The crossfeed works well.
When I talk about detail retrieval, it's really a small difference. If I were to rank the ADI-2 vs. the H2 vs. straight from my smart phone or laptop, I would say:
- H2 - 93/100
- ADI-2 - 90/100
- iFi DSD BL - 82/100
- Jotunheim - 79/100 (gen 1)
- MacBook Pro - 65/100
- iPhone 8 - 65/100
In other words, what really sets the H2 apart is its ability to take the quieter sounds (like light cymbal taps, or subtler musical components in a song) and bring them up. In addition, the H2 doesn't blend. No matter how many instruments are playing at the same time, the H2 keeps every sound very distinct.
The ADI-2 does that too, just not quite as much.
Jazz ensembles, and classical orchestral pieces, and off kilter stuff like Keiko Matsui, some movie sound track stuff by Marc Mancina, Thomas Newman, Hans Zimmerman, etc., have so many instruments, that a few get a little lost. Both the ADI-2 and H2 do an incredible job, but the H2 edges the ADI-2 out just a wee bit. Not enough for me to care that much, but noticeably.
Like Santana's Corazon Espinado, there's a ratchet percussion, there's also a couple of other percussion instruments, and it's percussion goes almost the entire song. In the beginning, there's only 3 instruments, the shaker being a subtle one of the three. As the song progresses, more instruments come into play, and then the main instrument, the guitar comes in and dominates. With my MacBook Pro and iPhone, the shaker all but disappears. I can hear it if I concentrate on it, but if I'm just relaxing and listening to the music, it fades into the background, getting blended. With the H2, that percussion stays prominent enough throughout the song and well separated.
Or Keiko Matsui's Water Fairy, which has a very subtle almost static like tap that constantly plays, moving from the left to right, and it's incredibly subtle, very hard to hear. Both the ADI-2 and H2 do a great job of keeping that extremely subtle, low low sound moving back and forth (and sometimes settling in the middle). It's an 8/4 rhythm (or 4/4 at double time). It's such a quiet sound that it disappears as other instruments start dominating. With the ADI-2, despite always being there, it gets very quiet and harder to hear. Still amazing that you can hear it at all! but the H2 brings it up just that much more. That same detail retrieval might, maybe, be why I don't always love the sound. For some music, bring every instrument into such sharp focus makes the song less pleasant to listen to.
It's hard to really put into words since on the detail retrieval front, the ADI-2 is so much closer to the H2 than anything else is to the the ADI-2.
at the end of the day, the ADI-2 is so good at detail retrieval compared to most DACs that I sometimes use it as reference when really trying to listen carefully to music, but it doesn't quite reach the sheer detail retrieval of the H2.
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I have one small gripe with the ADI-2, and that's soundstage. it's rather narrow (so is the H2, btw). but the iFi iCan Pro fixes that easily. For classical orchestral music, my chain is the adi-2 -> ifi iCan pro -> HD800. There's nothing in my gear lineup that widens the soundstage as much as this chain.
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I should probably note here that I do have one problem that a lot of real audiophiles don't have.... I love EVERYTHING. I enjoy the el cheapo M50X and TR80/250 in certain genres as much as I love the Focal Utopia, HD800, and KSE1200 for other genres. Heck, I'm listening to the Meze 99c on the ADI-2 right now, because it's such a fun sound.
I should also probably note that my ears aren't the best. My listening range is pretty good on the low end, rolls off pretty fast on the high end. I can hear 20Hz just fine. But at around 15kHz, I can't hear anything. Luckily, there aren't many songs where I need to hear about 12 or 13kHz, so it's not a problem for me yet.
So my opinions should be taken with a huge grain of salt, hahaha.
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The ADI-2 allows me to shape sound so much that I can find the perfect sound profile (for me) with any and every headphone. Nothing else comes close to the clean sounding flexible sound shaping ability of the ADI-2. And the analyzer is just as amazing. I play songs and stare at the equalizer tons, getting a much better feel for frequencies of each instrument of each song. That analyzer is just an incredible tool for me.
Anyway, while other devices, like the iDSD BL and the Schiit Jot are now tucked away in other parts of the house and rarely used, the ADI-2 will likely remain a critical component of my daily listening gear. It provides visual information, allows endless customization, has an incredibly low noise floor for IEMs, and has power boosting for high ohm headphones like my much loved T1.
To me, the ADI-2 is just that good.