Quote:
Originally Posted by me7 /img/forum/go_quote.gif
Is it possible to reproduce the impulse response shift on a PC via software? This would allow an easy ABX for everyone.
EDIT: Just saw an interesting post on the apple forum. What do you guys think about that?
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and the response ...
"Dear Brad,
I fully agree that 0.1dB on its own is not a reason for concern. It is my experience, and the experience of many other audio engineers that a rising curve from 20Hz to 20kHz with 0.2dB CAN give audible results, depending on the reason (e.g. think of the differences in the passband of a Butterworth and Bessel filter). I've heard many many cases supporting this, also in my own audio engineering (e.g. developing a subband rejection filter for a DAC).
The difference in measured phase response cannot be explained simply from the frequency measurement as you state. I've calculated a minimum phase response from the frequency response (brown curve - and yes, that shows a relation like you say), and it is completely different from the measured response. This hints at non-linear behaviour of the circuitry or signal processing. Hence, the output of the iPod is not a minimum phase system. I would suspect this to be clearly audible, as confirmed by many articles in the AES (depending on their context).
Mechanic devices, despite their shortcomings, exhibit linear properties and are minimum phase systems, and their phase response can be deduced from their frequency response. Their shortcomings can be coped with by proper engineering. The fact that a certain device is the weakest component in the audio chain (e.g speakers with typically 3 to 6 dB deviations on-axis) doesn't imply that small variations in the source components (digital players, amplifiers) are not audible, or not significant. It only takes more than a frequency curve to find what is relevant, and what is not relevant. Let's just mention jitter as an example, it clearly affects spatial response, but it is hardly measurable with classical measurements.
My claim is not about the iPod being perfect or not. I was disappointed to realize that my upgrade from a 5G to a 6G implied a step backwards in sound quality. LESS spatial information (the difference between music around you or in your head WITH THE SAME HEADPHONE), an electronic haze to the sound, and less harmonic content. I tried as best as I could to find some reasons, and measurements show the new iPod deviates quite a lot from the old one, and might hint at the root cause. The root cause, unfortenately, is impossible for me to dig into, with no access to the electronics and firmware, and therefore is in the hands of Apple right now.
Let me also state that despite the lesser sound quality, the 6G is still a good device in many aspects, and due to the fact that it is introduced quickly, needs some attention with respect to stability and other improvements. Where I would give the 5G a 9 out of 10 for sound quality, the 6G gets a 6 out of 10. If sound quality is of main concern, I would certainly recommend a 5G right now, otherwise I would recommend a 6G, it is a nice product in all other aspects.
Hence, I'm enjoying my 6G, but just less than my 5G with respect to sound, and I hope Apple can pay a bit attention to it. My own experience tells me that a slight filtering in the top end would already solve quite a bit. I have no clue about the cause for the group delays.
Marc "