Focker
Headphoneus Supremus
Complexity doesn't always mean that it adds up to something special
That's how I feel about music.
Complexity doesn't always mean that it adds up to something special
Yeah, Alien and Aliens are both masterpieces for sure, or close to it (one a masterpiece of horror and the other one of action). 3 is the one I've always wanted to like, but just never quite could. Hard to dislike the set-design and cinematography though--both are top-notch. Resurrection I can't stand--it has some really neat flourishes to it and seeing Weaver back in action was great, but I felt like it completely cheapened the Alien experience. Saw the first AvP, haven't bothered with any since--same problem with it that I had with Resurrection. I wanted to like Prometheus more than I did--it had some good ideas and was a fantastic looking film, but the plot was a mess and the characters ranged from the unbelievable to the stupid. Still, I think there's a lot of potential in the franchise--these days though, I find myself wishing they had just left it alone after the second film.
I agree with your Prometheus impressions here, I found it a major waste of technical talent, one of the dumbest plots I've ever seen. After seeing it I wondered if it was some sort of a joke...
I'd rate it a 3 just for the technical competence (some of the best special effects I've ever seen) and beauty.
I'll have to see this movie one day or another, rare titles are more polarizing than this.
May Philip Seymor Hoffman rest in peace.
American Psyho with Christian Bale. 8/10. Loved it. Getting the book.
One trick I found was to see Prometheus again but not think too much. So they started making one movie then spliced together this silly Sci/Fi thing were suppose to take really seriously. Too many plot holes and story inaccuracies, so you just sit back watch a nice blu ray where you don't think plot but enjoy the visuals.
A screenplay is an exploration. It’s about the thing you don’t know. To step into the abyss. It necessarily starts somewhere, anywhere, there is a starting point, but the rest is undetermined, it is a secret, even from you. There’s no template for a screenplay, or there shouldn’t be. There are at least as many screenplay possibilities as there are people who write them. We’ve been conned into thinking there is a pre-established form.
Kaufman made a 70 minutes lecture at BAFTA awards which describes his ideas. Here is a short passage from it. It explains his film Synecdoche. The protagonist played by Hoffman is just a vessel to explain Kaufman's interpretation of the world. To change a pattern you have to expose a wound which is ancient and tender and unattainable. Hoffman exposed his wound, ancient and tender. It made him unlovable and unattractive but this ancient and tender wound is the essence of force which is inside all of us.
That is one of the movies that I liked more and more after I have seen it and thought about it. Though I gotta say one of the plausible endings make much more sense than the other, at least in the way the movie was filmed.
After I watched Synecdoche, New York I googled about this guy director and script writer Charlie Kaufman.
That was my exact take away from it when I saw it in theatres. Enjoy what works, but especially enjoy the visuals. No doubt it's a great looking film, and I think that actually does go a long ways in redeeming a movie.
What's your conclusion? Did he commit the murders or were they in his head? I think the murders that were shown in the movie were in his head,but in the beggining at the dry cleaners his sheets were stained red and when asked what is what he replied nervously with "cranberry juice". I think he did kill woman beforehand. That's what I think.