Well you definitely know your turntables but your tonearms need some work......Graham Phantom Elite
) But I shouldn't talk because the Koma is brand new to my brain
) The rest of this is just a What Hi-Fi? rant not directed towards you at all, so don't feel it's a must read
)
WHF was the first magazine I gravitated to when I got into the hobby, but quickly found them to be heavily biased towards British gear.
Year after year I've seen too many of their "Awards" go to Naim, Cyrus, Roksan, Rega, Cambridge, ATC, PMC, Wharfedale, Monitor Audio, QUAD, Acoustic Energy, Spendor and Atlas and QED cables. Once in a while B&W and NAD would sneak in there. I mean British gear is good and all, but there's nothing better??? That's when I found that they actually are other audio companies in Europe lol, not to mention NA's and Japan's offerings!
Plus, their reviews of ultra high-end gear are so rare that it's hard to put their opinion in context when they haven't heard a TechDas, Continium or Walker table. Not even a SME, Brinkmann or Spiral Groove over the years either! Ridiculous! Their opinion is meaningless to me as I have no idea what they're comparing the Kronos to as a reference.
I'm taking a look right now.....everything I type in comes up empty. No Magico, YG, Rockport, Kharma, Raidho speakers. No Ayre, ModWright, Zesto, Constellation, Devialet 200, PASS Labs, CH Precision, Soulution electronics. What!?!? Not even one of the nearly 100 amazing Audio Note products from their own country? No tremendously valued Wyred 4 Sound products? Can't even be bothered to review the most talked about DAC going today, the Exogal? Oh ya, it's American! lol. Well holy boats, a VPI Prime!...but no Scout, Classic...big surprise.
You kidding me here WHF? Haven't even had a Dynavector cartridge in for review!!! A generic, white-bread, everybody's heard of'em Dyna! It's even worse than I remembered. I say boooo WHF...BOOOOOO!
Sorry for my diatribe, as WHF not being respected as a reputable reviewing magazine is really nothing new. Over the years I've found many non UK based audiophiles reiterating my same sentiments.