Quote:
Originally Posted by skitlets
I'm sure that alone was worth the trip
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Thaddy should have had a sign at the door that said
"Welcome to the Pittsburgh Head-Fi meet, sorry about your wallet"
I came there looking for a new amp to mate with my K501's and, unfortunately for my wallet, I found one. After about 30 seconds of listening to GlowWorm's HD300 and I knew I HAD to have one. I listened to it hooked into his Marantz CD source and the synergy between the two was nothing short of incredible. boodi if you're listening, the is THE amp for your K501's. I was smiling the whole time I listened and kept on listening. That find alone was worth the trip there.
Speaking of the trip down, could it have snowed any more?
gsferrari and I made it down there and back in one piece but the roads were harsh and very dangerous, especially on the return trip. All the blowing snow made for some tense moments.
Anyways here's my take of the whole meet:
Everyone was incredibly cool to hang with for the day, gsferrari was a gret person to be stuck in a car for 5 hours with, Thank you so much to Thaddy for the great job he did of putting together this meet with an awesome selection of equipment to demo in a short time.
As far as the equipment, I got to play with the following:
[size=medium]Sources:[/size]
tkam's MusicHall Maverick SACD
all I can say about it is...drool
thaddy's chaintech & foobar equipped PC
this is one well behaved computer setup and sounded very clean. Definitely not the harsh sound I've gotten accustomed to hearing from a PC
my own azur 640c
well what do you think I'm going to say about my own source? Of course I think it rocks.
GlowWorm's Marantz CD source
no wonder these are very popular for modding. Very clean sound and easy to control.
I didn't get to listen to the gsferrari's Sony SACD changer or any of his Gilmore amps. With him living a mile away I suspect I'll be able to get another opportunity to audition them before too long
btw, IMO this is not the most ideal setting to critique the sound of a source as the sound differences are usually subtle and tough to discern in such a busy atmosphere.
[size=medium]Amps[/size]
Thaddy's PPA
This was the first PPA I listened to and I quickly saw why so many head-fi'ers recommend these. Lots of musicality in that amp and very little coloration of the music.
tkam's PPA
well this unit took everything that thaddy's PPA did well and refined it. I loved the DACT stepped atenuator, the tons of headroom, the very strong transient response, and the shear power made me a believer
my MG Head OTL-H
Well I've found that this amps isn't well mated with my k501's but when you plug in the Senn hd-580's, 600's, or 650's then WHAM, it really comes to life. I love the large tube sound and the clean output at high volumes with the 300ohm senns.
The Headroom MAX
This amp did absolutely NOTHING to the signal other than make it larger and I loved it for that. I tend to flinch from some of Headroom's prices but listening to this amp shows me axactly why they charge what they do. IMO this was the only amp I listened to that didn't add its own "sound" to the music played through it
Melos SHA-1
its absolutely stunning cosmetic design warned me that I was in for some serious fun and I was not disappointed. A close second to the MAX as far as clean ouput power
gsferrari's SR-71
I thought my little META42 did a great job until I listened to this unit. I thought the sound coloration I heard through my META42 was due to the compression from CD to OGG but when I plugged in the SR-71 I saw that the ogg vorbis CODEC was doing exactly what it was supposed to be doing, and that the real culprit was my little amp. The fit, finish, and form factor of the SR-71 screams quality and shows where it gets its $400 pricetag. I'm still not 100% sure I can afford to drop another 4 bills on my portable setup but I do know that I won't ever be satisfied with the performance of my META42 again
GlowWorm's HD300
As I said earlier, WOW! Yes this amp colors the sounds, but I just love the pallette it chose. All I want to know now is why hasn't Craig at Eddie Current returned my email? Comeon, its not like its Sundy night or nothing
[size=medium]Cans[/size]
tkam's cd3000/HP1000 hybrids
Wow and wow and wow. Beautiful sound, very little coloration of their own if any, incredible accurate yet musical. It was tough not to slip these into my jacket and run out of the place screaming "you can have them back when you pry them from my cold dead fingers (about 7-8 minutes with today's weather)
kikkoman's Senn hd-595
Not a big fan of these at all. I thought they lack musicality and emotion. Yes they were accurate but not at all engaging.
my K501's
I liked my k501's before this meet but now I absolutely love them. 'nuff said about 'em
someone's HP-1's
Grado fans of the world , you got yourself another member. HOLY Smoke were these some incredible sounding cans. Easy to see why the Grado folks will accept no substitute.
Someone's Senn hd-580's, 600's, & 650's
Easy to see why so many people (myself included) swear by the Senn sound. The detail they reveal in musical passages is nothing short of amazing and their build quality and comfort make them worth the price. When compared though I have to agree with a comment made by someone at the meet who said that it is hard to justify the cost of the 650's when you can get 95% of their sound from the 580's and 600's.
I also listened to a few other Grado cans but since most didn't have their badges on the grills I had no clue about which was which, but like I said earlier, they can add me to the list of people who can attest to their sweet sweet sound.
oh well, thats enough of my rambling. Thanks again to everyone and I hope to bump into you guys again