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Marketing stuffMaybe! But there is the reason why Sony puts Kimber Kable in their Audio Equipment
Marketing stuffMaybe! But there is the reason why Sony puts Kimber Kable in their Audio Equipment
Actually they are just marketed as Kimber Cable. They are made by Sony.Maybe! But there is the reason why Sony puts Kimber Kable in their Audio Equipment
That is true. This has been confirmed with Kimber Kable during my today’s conversation with them.Actually they are just marketed as Kimber Cable. They are made by Sony.
Not true. I owned Sony Kimber (8-wires) and Kimber Axios Cu (24awg 16-wires). I was able to detect distinguishable difference in sound properties between those two cables. Hearing is your science.But to this point, no scientific method was able to show any difference in cables nor was any person ever able to detect the difference in an blind A/B Test.
Not true. You should try copper-silver (50/50)If you ask an Sony Employee (in an Sony Store in Japan) or an e-earphone employee what's better with the Kimber Cable, they will tell you the design, durability, reduced cross talk, whatever.
But they will never ever tell you it sounds different.
And the stock cable is an silver plated OFC cable already. That's as good as it gets.
Not true. Sony Walkman engineer personally flew from Japan to meet with Ray Kimber, the founder of Kimber Kable back when WM1Z was being developed. The engineer loved the sonic properties of Kimber and used it for the first time in the Walkman line. The real Kimber Kable is now used in DMP and the new 1ZM2. If in doubt, you can ring Kimber Kable company +1-801-621-5530.So the reason Sony sells cables Co-Designed by Kimber is because the name Kimber is an well established and trusted brand in the audiophile world plus they are extremely durable + their cool design.
Pure speculationAnd maybe some 1db reduced cross talk at around -130db.
This does not make sense!But to this date, there is no source that is good enough anyway. So even if there would be an difference, neither the DMP-Z1 nor the TA-ZH1ES would be good enough to utilize it
Enough audiophile reading for today :-DI see kimber kable like McDonald restaurant
I trust that you are at the top of the sonic blissSome early morning listening with the Meze Empy and Eletech Inferno cables. AM streaming via LDAC. Direct source, DSD remastering. Sonic bliss.
I am actually slowly working my way through my headphones and the DMP. Currently, of the ones I have tried, I do like this combo very much. Longer listening may provide a different outcome.I trust that you are at the top of the sonic bliss
Question: Of all your headphones, is this your favourite pairing with the DMP?
MDR-Z1R with Lavricables Grand. Direct wit DSD remasteringSome early morning listening with the Meze Empy and Eletech Inferno cables. AM streaming via LDAC. Direct source, DSD remastering. Sonic bliss.
Always a good time rediscovering old headphones on upgraded sources.I am actually slowly working my way through my headphones and the DMP. Currently, of the ones I have tried, I do like this combo very much. Longer listening may provide a different outcome.
Absolutely! The Utopia sounded really good on the DMP. Will rotate it back again soon.Always a good time rediscovering old headphones on upgraded sources.
What's your take on the WM1ZM2 vs DMP-Z1 so far? Are the sound signatures similar?
so one can hear what the sony signature teams claims: wm1zm2 was influenced by the dmp-z1 signature.Absolutely! The Utopia sounded really good on the DMP. Will rotate it back again soon.
The sound signatures are similar. Though not surprisingly, the DMP still takes it. Better width and headroom and greater note weight.
so one can hear what the sony signature teams claims: wm1zm2 was influenced by the dmp-z1 signature.