Haha, I guess I did get both at the same time... I didn't plan on it, but sometimes things were just meant to be, I guess. I originally ordered just the Sparrow, but a quick peek at the FS forums revealed a mint W1000x for sale at a killer price, and now we know how that turned out, eh?
Currently I'm using the USB output on my Sparrow - I'm not sure if the Version A USB goes to 192/24, but right now I'm using a 96/24 rate that seems to pull out sounds from the background and recording I haven't noticed before. It's not a night and day difference - I still have to pay close attention to the music or else they go right on by unnoticed - but it's a marked improvement from where it was before. The songs I've used for review on the Sparrow were:
Classical:
Marie Tsuda, Je te veux
Ewa Poblocka, Moments musicaux
Air on the G String (Orchestral Suite No. 3 in D)
Vladmir Horowitz, Waldstein (I - Allegro con brio)
Alternative Rock/Underground:
Linkin Park, Papercut
Bike for Three, More Heart than Brains
Flying Lotus, Do the Astral Plane
Pop:
Barenaked Ladies, One Week
Kozue Takada, Himitsu Kichi
Nino, Groovin' Magic
Vocals/Jazz:
Norah Jones, Cold Cold Heart
Diana Krall, The Boy From Ipanema
Beyonce, If I were a Boy
Rihanna, Umbrella
Of these I liked the whole classical section and Beyonce the best, surprisingly - Diana Krall's Ipanema actually smoothed out over the course of the song while Norah Jones' voice got huskier. All of these files were FLAC encoded and above 700kbps, so I'm certain this isn't a "garbage in- garbage out" problem. I'll try the burn-in and see what changes, but I'm not a firm believer of drivers or opamps changing compositions over time. The only time I've actually had the effects of "burn-in" happen was when my old laptop's graphics card tanked and I had to wrap it in towels to get the solder to reaffirm itself
.