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Member of the Trade: Lachlanlikesathing
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The sticker on the box of my review unit says 2 year warranty hmm
The sticker on the box of my review unit says 2 year warranty hmm
The sticker on the box of my review unit says 2 year warranty hmm
Q: Someone posted in my review thread asking how does Nuforce handle repairs for defective items that are past the one-year warranty period.
A: Primo 8 has two year warranty, not one as indicated in the manual. The packaging box stated two year warranty.
Q: Does Nuforce repair and charge the customer, replace and charge the customer, or not do anything?
A: For Primo 8, it is possible that we can sell the earphones only to customer at... a price which we have not determine, but probably below $200 provided that the customer return the failed earphones. We already sell a replacement cable.
Q: And, are the charges less costly than buying a new unit?
A: Definitely much less costly than a new unit.
Here is the response from Jason at Nuforce:
The design of the Primo 8 is a departure from typical Nuforce styling (i.e. minimalist and angular with flat, matte surfaces), and now harks a more "flowy" look. Color is an iridescent, metallic blue that looks fairly handsome in person, but is difficult to photograph well --- hard light overwhelms the iridescence, while soft light obviates the aesthetic purpose of the ridges.
The deep ridges help break up the otherwise smooth surface of the concha bowl shell to lend a more interesting look to the aesthetic topology. Perhaps unflatteringly, at some angles, the Primo 8 does in fact at times resemble a miniature bicycle helmet, but close handling and inspection allow for a deeper appreciation of the complexity of the shell design.
I am most struck by the blue --- its specularity is perhaps as alluring a look as I've seen in earphones, and despite its flat finish, manages to call upon the depth of a certain piece of work by Miles Davis.
The shells of the Primo 8 are plastic, but feel quite sturdy, presumably some kind of polycarbonate material. The absolute size of the housings is not the smallest around; it is slightly wider than the Westone W40 and is most similar in its dimensions to Shure's SE846, but can hardly be classified as large. The vast majority of users should have no problem achieving an optimal fit with the Nuforce Primo 8.
Call quality was clear via an Apple iPhone 4S. Remote control functions were also effective. The aesthetics of the in-line remote control and microphone are perhaps polarizing, but the large, flat-surfaced gloss black single rocker button works quite well and clicks positively. However, the controls aren't compatible with Android devices.
...I took one listen and could immediately tell they put significant effort into this earphone. No, it doesn't have mind-blowing clarity, or velvet richness. I found that the Primo 8 is neither diamond nor cowhide, but definitely also neither pleather nor zirconium. What it is, is a near ideal mix of audiophile inspiration and Joe Blow sensibility.
...
I listened to an old Ella Fitzgerald track of her scat singing 'One Note Samba', and Ella came through true. Her presence bathed my ears, wrapping them with a blanket of warmth but was simultaneously accompanied by a swath of definition.
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To test out Nuforce‘s claims of phase coherence, I tried numerous tracks with multiple voices and exaggerated stereo panning. In all tracks, the Primo 8 managed to define the stereo image very linearly, allowing for easy directional tracking of instruments and vocalists swaying around on their mics.
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The discerning head-fier will find that the bass response of the Primo 8 hits a near sweet spot. It’s impactful enough not to prompt complaints of not being able to hear a certain bass sound, but it doesn’t really accentuate any part of the bassline either. Earphones with a distinct mid-bass hump like the Westone W50 will give listeners a greater sense of thump and circumstance, but prevent them from hearing the evolution and decay of the various vibrational nodes in a drum instrument. Sub-bass registers still render perfectly, as while there’s subtle roll-off, the dual woofers don’t stop vibrating until below 20 Hz.
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The best way to characterize the Primo 8‘s treble response is that it attempts to present a relaxed milieu without having it sound dark. I’m perhaps compartmentalizing too much by segregating the treble from the midrange, so I’ll say that the treble is a continuation of Nuforce‘s midrange philosophy. They’re attempting to achieve a more intimate feel with the Primo 8, and so, the upper treble will be relaxed. At the same time, the lower treble still contains harmonic information of the vocals, and needs to remain present.
Also I'm still not convinced by the stock earguides. They are too stiff and make cable noise rubbing against the back of the ear.
I think I've settled on the silicone tips. I don't believe the comply foam tips are actually sealing properly in my ears and they are quite uncomfortable for me.
I'm starting to think that the stiffness of the earguides Nuforce has chosen is causing unnecessary microphonics - the earguides make quite a lot of noise when they tap against the back of your ears. The earguides on the XBA-H3 are silent. I think Nuforce should revise the earguides to make them just a bit softer. Just a bit, because the stiffness helps them retain shape during storage, which I think is a plus.
Still very pleased with the sound. It still doesn't quite seem to have the cleanest leading edge compared to my beloved dynamic drivers. There is a bit of fuzziness in the way it renders strings and pianos, though nothing as bad as something like the Westone W4R. It's a really articulate and sprightly sound nonetheless, and imaging is nicely detailed and holographic. I think sometimes on some denser tracks the mid-forwardness can start to sound a little shouty. Overall though this is definitely one of the better quad BA's I've heard.
Thanks for your impression / Review. Any chance you can provide information versus the ATH-CK100 pro?
That's a huge difference....