NEC Japan C4556C
INTRODUCTION:
I loaned this opamp from my friend. He said that he got it from an old audio equipment (Sony Amplifier). I have the same part no. 4556 opamp which is the JRC4556ADD.
IMPRESSION (Subjective):
NEC Japan C4556C – is a natural analogue sounding opamp that has a good balance tonality, good dynamic response and it adds a colouration to the sound in a good way. Sub-bass is extended. Mid-bass is thick and tight but in some songs that is too bassy it bleeds to the mids. Mid is warm and textured but without harshness. Treble has improved clarity and smooth with sufficient enough details. Soundstage is above average though not as wide as AD8066/Burson V5i-d opamp but depth is great (this is what I like in this opamp). Imaging is holographic and live-feel vibe. Layering and instrument separation is superb, no overlapping/masking of each instrument and vocals (everything cuts through the mixed). Stereo panning is accurately presented. Though this opamp is not for everyone especially those who like transparency and neutrality to the sound. This opamp is for those who like musicality and fun to the sound. Best paired with earbuds and open-back/semi-open back headphones (especially with bright tonality). I tried it on my Sony MH755 IEM I don’t like it much as it became too bassy and muddy for my hearing. I like it the best with this combo Zishan Z1 and Toneking TP16 with full foams and songs from technical death metal band (Suffocation, Necrophagist, Blotted Science..) as I can listen to it without ear-fatigue. Other genre is good too (Trad-Ska/Punk-Ska, Reggae/Dub-Reggae/Rock-Reggae, Hip-Hop, Live Recordings, Acoustic).
COMPARISON:
To me NEC Japan C4556C is an upgrade to the stock opamp (TI NE5532P) of Zishan Z1 as it does better in every aspect of the sound. Stock opamp sounds narrow, congested and grainy. While compared to JRC4556ADD is a side-grade though with different tonality as the JRC4556ADD sounded brighter compared to NEC C4556C.
GEAR:
Audio Player:
Zishan Z1 (in DAP mode) – Stock capacitors, No EQ (EQ Turned Off), Volume knob position at 9:30 (in between 9 o’clock and 10 o’clock).
Earphones (all in stock cables and using full foams):
K’s64 (64ohms) – Neutral sounding and above average soundstage, I used this for checking the tonality, imaging, layering and separation.
Toneking TP16 (32ohms) – Balance sounding and wide soundstage, I used this for checking soundstage, imaging, layering and separation.
Vido blue new version (32ohms) – Neutral-warm sounding and above average soundstage. This is my daily driver earbuds.
Songs:
UDD – Turn It Well/Kulang (Mp3 16bits 48kHz 360kbps CBR)
- This is my “go to song” for auditioning because it has full range frequency spectrum (from sub bass to upper treble), very dynamic, lots of instrument layering (guitars, synths, keys, bass, samplers, drums) and good female vocals. Mixed and mastering is superb, nicely done stereo panning and good depth.
Dream Theater – Pull Me Under (M4a AAC-LC 16bits 44.1kHz 256kbs VBR)
- Song that I listen to since I was 11 years old. My brother used to play this on his guitar and he introduced me to listen to this progressive metal band Dream Theater. Guitar, Bass, Drums (except snare which is triggered) sounded natural. James LaBrie’s vocals are great during this era. Kevin Moore’s Keyboard gives an ambient and added texture to the song. Mixed and mastering is clean and with great fidelity.
Suffocation – Caught Between Two Worlds (Mp3 16bits 44.1kHz 320kbps CBR)
- A mid-fast pace technical death metal song. Lots of guitar riffs that is tight, fast and heavy. Bass guitar that is thick and growly. Vocals are pure angst and grunt. Drums lots of double kick drum action, blast beat and some down-tempo drum playing. Recording productions is in between raw and polish sound.
Alice in Chains – Would? [MTV Unplugged 1996](Mp3 16bits 44.1kHz 320kbps CBR)
- An acoustic live recording.