So, now that I’ve received the KSE1200s, I wanted to update my thoughts versus my hour-long demo from May 6, 2019. For reference, my current DAP is the A&Ultima SP1000 stainless steel (SS), with downloaded Tidal Masters (24/96) and HiFi (16/44) tracks. I’ve spent a few hours A/B-ing with my fave IEMs (Cosmic Ears CE6P universal with a balanced Labkable 8W copper cable) in a super quiet listening environment.
Soundstage: as mentioned in my demo, it’s not as wide as my existing IEMs. But I think that to some extent we can ignore the brand of my IEMs and put that down to single ended (KSEs) versus balanced (my IEMs). I’ve always liked balanced with any IEM and DAP, mainly for the wider soundstage. The KSEs are not so narrow that it spoils my enjoyment - in fact it’s perfectly acceptable. I would, however, love it if Shure did a balanced version of the 1200s.
Volume: my normal IEMs - around 65-75 depending on the song. With the KSEs - 120 on the SP1000 SS, then adjust the KSE amp to taste.
Fit: The Shures are small units and very comfortable for prolonged listening. But the tip selection is as much, or more important than with any universal IEM. They come supplied with a big selection - black foam, yellow symmetrical foam, white spiral super deep, and more regular rubber tips. I’m still trying to find the best tips for my ears where I don’t have to press them in further for the best bass sound (and I’m not a heavy bass person).
Interestingly, my existing IEMs with the copper cable have more energy for rock/ blues music (The Black Crowes, The Darkness, Bonnie Raitt etc). But they also sound a touch more muffled / warm - a bit like how I remember the SP1000 Cu versus the SS.
Separation: the Shures are amazing for this. And I mean UNBELIEVABLE. Instruments, percussion and vocals pop out in a way that I’ve never heard before.
My existing IEMs have a wider soundstage and the AK SP1000 SS is a phenomenal listening device (as it bloody well should be for the money). So we are, as always, talking small differences. The KSE1200s are also a substantial investment. So where does that leave us?
Overall, I’ll throw this into the pot: I’m a guitar player and have done a lot of recording sessions in studios. The KSE1200s are, to my ears, what you would hear in a recording studio through unforgiving (read, “neutral, uncoloured”) very, very high end studio monitors. With every song, I feel like I’m hearing exactly what the producer and engineer wanted to get down onto “tape” (CD, vinyl etc).
I will still enjoy my other IEMs with the SP1000 SS, and enjoy not having to stack the KSE amp. But there is something addictive, crisp and yet still “emotional” with the Shure’s. Sorry if this sounds contradictory, as “emotional” would probably be associated with more of a warm, mid-frequency hump earphone. And the 1200s are not “warm”.
But I had a lump in my throat with a couple of heartfelt songs with the KSEs that I haven’t had with the other IEMs. As per my May 6 demo, the difference is less pronounced with rockier music. But with more delicate, acoustic music, the Shure’s are ridiculously good. And the songs I picked out on that demo as amazing with the Shure’s still apply.
I’ve always said to people who don’t get this wallet-busting hobby that if they can’t tell the difference between an iPhone, Itunes/Spotify and Apple earbuds versus a posh DAP, Tidal HiFi and equally posh IEMs, then they should save their money and carry on with life with more money in their bank account. I think the same logic applies to the KSE1200s. I haven’t yet tried them with an iPhone or iPad. Maybe they sound stunning. And even with a silly-money DAP like the SP1000, they won’t blow your mind with every song in your collection versus your existing expensive IEMs. But with a few - just a few really good songs with the right production - they will touch your heart. I leave it to you guys and girls to decide how much that is worth.