For many people to essentially not care, I think one of the things this proves is, bass is addictive lol. Somewhere along the line, the elitists of the audiophile world decided that a focus on bass was something better left to the lower quadrants of the audiophile world. Instead, the higher tier elite products pushed articulation and detail, sneered at quantitive bass. More bass was fun, but ultimately not "reference" enough.
Sennheiser, Beyer, Grado etc in their elite range, all push towards this more high frequency orientated imaging quest. And I guess Audeze did well because they in essence shunned away from that, and headed back in the direction of popular cans of old, especially the popular mid-fi one's such as the HD600/HD650. Going for a more dark tone with a lot of clout relying on bass quality.
Audiophiles mock the lower tier cans such as Bose, Monster, Skullcandy etc, for their poor sound and overt bass quantity (and obviously the extreme prices lol), but they don't realise that in many ways even the elite high spending audiophiles also share an innate preference that lends it's hand to bass. Bass is addictive. Bass is fun.
The early impressions and hype surrounding the Rev 1's are ample evidence of this. But now that Audeze have near perfected bass. My personal request would be for them to now perfect actual physical design, comfort, Q&A and, a personal sonic preference of mine, provide a wider soundstage to the cans. This in itself automatically lends to better imaging as separate sounds and instruments have more air around them to breath. It's the only aspect of Audeze's sonic design that I think needs a bit of tweaking. But who knows, maybe the bass is the reason for the lesser soundstage (compared to say the T1's or the HD800's). But I honestly feel that a re-design of the cups and driver angle etc, could help with this.