Full review here for those interested.
-------------Build, comfort, etc.--------
Reasonably well built, certainly so for a DIY product. No weird design flaws, no squeaks around the yoke. Comfort is very good thanks to manageable weight (some 430g), and oh boy, what a nice big chunk of leather on the headband. It literally looks like a piece of really premium leather meant for luxury handbags lol. Structurally it is very similar to the Audeze suspension headband, so imagine a pair of Audezes on the head but much lighter. Aesthetically the NAN-6 look quite good to me, with the gold accent matching the colour of the diaphragm coating. The main housing is plastic though, would be nice to see CNC metal here. All in all no complaints here.
---------------Sound-------------------
Bass: Great planar bass with extension right down to 20hz. Impact, punch and dynamics are exellent. These slam slightly harder than the HE1000V2 and even the HE6SE V2, although they do not have the bass presence (quantity) of the HEKV2. Sometimes I feel the HE6SE V2 have slightly better bass definition, but this could be the trade-off for slam and impact.
Mids: Full-bodied and pleasant. Hifiman headphones especially the more recent breed tend to have a slightly scooped midrange and a minor boost in the upper mids. The NAN-6 does the opposite: a small bump in the lower parts of the mids and a more conservative upper mids. In this sense it's like the NAN-6 blends in some of the Audeze tuning: vocals are full-bodied but not in-your-face or aggressive.
Treble: Very neutral, only a tad darker than the HE6SE V2. Despite the two measure very similarly in treble above 5khz the actual difference is quite audible, which IMO is because on the one hand differeces in upper mids inevitably colour the presentation of treble, and on the other hand our hearing is most sensitive in the treble. The biggest difference is NAN-6 has less upper treble, which can be good or bad. It sounds less shimmery or sparkly than the HE6SE V2, but is also therefore smoother and more relaxed. A good example to showcase the difference is cymbal hits, if you find Hifiman planars a bit too sharp in presenting cymbal strikes and crashes then the NAN-6 is probably better for you.
Technicalities: The NAN-6 is about 4-5db more efficient than the HE6SE V2 when measured at 1khz on my measurement rig. Resolution is basically on par with the HE6SE V2. Macrodynamics on the NAN-6 is a strong point IMO, whether it's due to the seal or the differences in placement of the magnets the NAN-6 just slams a bit harder. Try the drum hits in the jazz arrangement of Little Fugue in G Minor (BWV 578) by Jacques Loussier.
Soundstage width, depth, and imaging:
Big differences here. Swapping from NAN-6 to HE6SE V2 you immediately feel that stage presentation completly changed. NAN-6 is more intimate, emphasising width while the HE6SE V2 is more laid back with an amazing depth. The HE6SE V2 is still the king of soundstage depth, with an unbelievably deep stage that allows exellent layering of instruments. I don't know how the 6SE does that but it just has this amazing quality. In terms of horizontal stage, although the width is about the same, I somehow feel the decay of instruments on the NAN-6 extend a bit further than the HE6SE V2, probably due to its more open back vent design.
Overall sound profile and genre pairing (default hybrid pads): Balanced with an ever-so-slightly tilt towards a mellow midrange. Great for guitars and vocal oriented music, classical rock, folk, country, etc. With these pads the NAN-6 is somewhere between HE6SE V2 and Audeze, with the latter's vocal and bass.
Overall sound profile and genre pairing (round velour pads): Balanced with more emphasis in the mid-bass and upper treble than the default pads. Soundstage opens up a little. Slams a bit harder. More of an all-rounder for all music genres.
---------------Concluding remarks--------------
No, you don’t need the NAN-6 if you already have HE6 or HE6SE. I bought my HE6SE V2 for $699 and thought it was the best buy I ever had. The NAN-6 is just as good with a few delightful tweaks.
It’s nonetheless very nice to see that more competent manufacturers emerging. Tuning-wise I was happy to see that it wasn’t a clone of the Hifiman entirely, because there would be no point.
IMO the upshot is that the NAN-6 showcases the manufacturer's ability to engineer and tune a pair of planar headphones. I was also informed on the Chinese forums that the manufacturer is now working on new proprietary models. After hearing what the NAN-6 offers I am quite excited about those.