Sorry, I got completely sidelined with work, but I have been progressively gathering impressions the whole time. I pulled most of the review together last weekend, after returning from my company's annual conference, which pretty much wiped out all my free time in January and February this year.
With that being said... the review is almost done, and it may end up being be my longest review, once all is said and done. Still, you and others have been waiting patiently, especially (
@runeight), so I don't think it's unreasonable to ask for some impressions.
I know there is a lot of curiosity about how it compares to the Platinum. The differences really stood out with the always stubborn HE-6se. Here's an excerpt from my upcoming review:
"Comparing against the Monoprice Monolith Liquid Platinum with the classic hard-to-drive choice, the Hifiman HE-6se, showcased the differences between the amplifiers quite clearly. Given the popularity of the Liquid Platinum, this likely offers the best lens into the Liquid Gold X’s sound for many listeners.
Listening to “Piggy (Nothing Can Stop Me Now)” from Nine Inch Nails’ classic The Downward Spiral revealed several spots where the Gold X surpassed the Platinum. The most noticeable difference came in terms of the bass delivery. With the Gold X, each kick drum landed with a thunderous blast that rattled my eardrums. Switching back to the Platinum, the kick drum registered with a modest “thwack”, registering only a fraction of the power.
Another difference I found was the depth layering. As the keyboard enters in the second verse, the Gold X places it at a pinpoint distance behind the other instruments, creating a real sense of magic. The Platinum’s placement is much hazier and generally flattened, in comparison. The same sounds are present, but their definition and placement just comes off as just a little sloppy when put in direct comparison against the Gold X.
The third and most obvious difference in comparing the two with the demanding HE-6se shows in the upper midrange and treble, where the Gold X keeps a firm grip of control. The Platinum comes off as thinner, splashier and uncontrolled, pitted against the Gold X’s iron grip. This, combined with the greater impact and presence on the low end, causes the Gold X to come off as a bit warmer overall. But if one dives just a little bit deeper and analyzes the sound, the reality is, the Gold X is in much firmer command of the driver, delivering a more even and accurate response."