In all honesty, both mods don't seem too....veritable, but they don't seem to do anything disastrous to the sound. The transformer caps were hard to discern from stock no caps.
Taking the voltage from the dac to the new jacks with the cap on the other hand, with volume corrected for, did eliminate excess grain- but at a very high cost. What was gained was a seemingly blacker background with more focus at the heart of the midrange, and a slightly more natural bass-mids integration.
I did not like the slight loss of spacial cues though. The width suffered a bit- what once extended enjoyably past the ears now feel constricted. Nuance and microdetail suffered though not as much by themselves as the impact on soundstage.
For someone of my tastes the losses outweigh whatever was gained, but since I use the K501/K701 for a majority of my listening, this does not keep me from enjoying the modified source. People who use HD580/600/650 may find the soundstage too much confined for their tastes. I would not recommend this particular mod for grado owners.
Before settling on the Sprague Vitamin Q's- which are my favorite capacitor, I used .47 Hovland Musicap and Auricaps. I found the Auricap (my third favorite behind the Musicap and Vit Q) had the most potential. I did not want to "waste it" in my opinion on the power transformer because it gave great results with it on the signal bypass.
The Auricap did introduce a sense (not actually lower noise) of blacker blacks like the Vit Q did and also hurt the width of the soundstage too. What differed (the Auricap is well burned in from other use) was that the microdetail loss was not as drastic but at the expense of an overall lack of sweetness the Vit Q had over the stock and Auricap version.
The Hovland Musicap fared a bit better. It was almost exactly like the Auricap's signature- but even less loss of soundstage than both Auricap and Vit Q. They are sweeter than the Auricap but took away too much detail over the whole spectrum. Bass was touter with the Musicap too, but even though it fared better than the Auricap, it did not synergize with the machine's sound enough for me to keep it in.
I suggest potential modders to try out paper in oil caps in this machine because I feel their flavor fits perfectly. You trade off a bit of soundstage for a more musical midrange, nothing detrimental done to the bass, and highs that are more in line with analog sources
The amp of choice for this unit for me is the Millet Max.
Mine is configured with Vit Q, Nichicon Muse ES, and a mix of boutique resistors. The bias is 230mv which is more than double the max suggested but I have adequate cooling for this beast.
I used three recordings for the impressions-
Beethoven's 9th Symphony (SACD)
Herbert von Karajan/Berlin Philharmonic
DG 471 640-2
Beethoven's 5th/7th (SACD)
Carlos Kleiber/Vienna Philharmonic
DG 471 630-2
The Politics of Dancing (CD 2)
2001, Paul van Dyk
Ministry of Sound
Yep. A great "toy" rig for me to play with at night while reading. For ~150 + cost of parts + a little sweat, squinting, and soldering- you get loads of modding fun and sound that doesn't suck