I received the review samples of the Prototype cables from Effect Audio's upcoming Signature line. The cables I received were P-32 and P-38.
Here are my impressions on them:
P-32 (Grey): So here is my impression about Prototype-32, or, the Grey cable. I paired this cable with the bassiest iem in my roster - the IMR Elan. Now, why did I do it? Because only with this iem I had the option to use 3 types of cable: the stock OFC, the Nocturnal Audio Acrux (a pure silver cable) which I regularly use with Elan, and this Prototype-32. So how did it turn out?
Oh by the way, my source was L&P W2, high gain, balanced out, Tune 1, paired with my laptop, playing FLAC files through Foobar2000.
Well, P-32 is a strange one. The stock OFC cable of Elan acts as expected - giving the low end a boost and making it a fun iem. The Nocturnal Audio Acrux behaved as expected of a pure silver cable - cleans up the sound by making the midrange a bit leaner and giving the upper region a slight boost in energy. P-32 falls somewhat in between them. Compared to the Acrux, it adds a bit more body to the midrange and brings it slightly forward, attenuates the energy in the upper region very slightly, and also enhances the low end texture very very slightly. However, with the addition of a bit more body in the midrange, the airiness also takes a slight hit. Also, because the midrange comes slightly forward, the stage depth is reduced slightly.
Next, I move over to Shanling M7, medium gain, balanced out, playing FLAC files through Shanling APP.
Here, I am comparing the P-32 cable with the stock copper cable of IMR Elan, which is a fairly good one by its own merit. After doing back and forth for over an hour, this was my impression: The most notable effect P-32 has is on the low end, which it tightens up and enhances to produce a bit more texture and details in exchange for a slight amount of body, for the better. This cleans up the stage a bit. P-32 also brings the midrange a bit forward, and slightly enhances the stage width along with separation. The note becomes very slightly bigger and slightly more alive. Highs were mostly not affected in this case.
Well, out of curiosity, I paired the Acrux also, and here is the comparison result: P-32 seems to have slightly more body in Low End, while having comparable texture and details. Midrange is again a bit pushed forward while having slightly more body, slightly smoother compared to Acrux. Same goes for high range, the notes are slightly smoother and accentuated compared to Acrux. Acrux has a tiny bit more stage depth and P-32 has a tiny bit more width.
Overall, the P-32 is a really really nice cable. But there are 2 cons that I have a beef with:
_______________________________________________________________________________________________________________________________________________________________________________________
P-32 with FAudio Dark Sky: I decided to connect the P-32 to my current TOTL, FAudio Dark Sky, today. And quite honestly I was surprised by how the output evolved!
Let's get the aesthetics over with. The Dark Sky has a 24 AWG Silver Alloy/Germany Pure Silver/Immersion Gold Silver Alloy cable. From aesthetics, the stock cable is much better and is more soft and supple compared to the P-32.
Coming to the sound performance, I found P-32 was distributing the sound on a more three dimensional plane with added depth and a bit of height, enhancing the overall imaging and making the presentation more immersive. The stock cable sounded slightly flatter with the midrange a bit more upfront compared to the P-32. P-32 also enhanced the low end noticeably with more body in the lower register notes, resulting in a healthier slam and more pronounced & textured rumbles. The separation did improve slightly also, with more distinct space between notes.
However, P-32 also introduces a slight warm tonality to the sound of Dark Sky. The stock cable has a rather cooler tone. This may or may not make or break things for individuals. Me, I am just a bit intrigued at this change and cannot feel any affection or repulsion to this particular effect yet in my mind.
Another point to note is because the stock cable has slightly leaner bass, mids get a bit more spotlight. The mids with P-32 are by no means subdued or drowned behind the bass and after just a moment they come at you in their full glory, but on the stock cable they just do not wait for that moment also, they are in their full glory from the get go.
The way P-32 improves the sound in its entirety is quite unique. The most notable enhancement is the stage created by the iem. As it improves the depth, separation, and imaging all together, the soundstage becomes a bit more grand in all dimensions. Coupled with that the refinement of individual notes makes the experience all the more pleasing and takes its performance to a new height.
My only beef with it is the thick 8 strand braid, the weight, and the stiff & thick earhooks. @JordonEA confirmed that the first two cannot be addressed, but the third issue can very surely be addressed. I hope that will make it a bit more easy to bear with.
_______________________________________________________________________________________________________________________________________________________________________________________
P-38: P-38 is an amazing cable and the favourite of mine from the two. Visually, they are extremely pleasing to look at, with 2 different geometric structures in the different cores. One has thinner individual strands and has considerably more helix angle, and the other one has thicker individual strands and has lesser helix angle. Grabs your attention easily.
I paired it with the current flagship of 634EARS, the LOAK-T(CL) Cocobolo. Titanium front housing, Stainless steel back housing, and Cocobolo wood backplate. The sound in general is very transparent and bright (but never harsh), with a nice emphasis in low end that simultaneously satisfies the cravings for a meaty bass and the requirement of not cluttering the midrange. The midrange, as stated earlier, is very transparent with crisp notes and yet natural. Treble has brilliant energy and extension. Overall a very mature tuning. I was using a XINHS Alloy Copper cable with it.
What P-38 does in this case is, it adds a bit more volume and power in the low end, making the sound fuller and slamming slightly stronger. However, following the original DNA, the bass never clutters the midrange. In midrange, it adds a bit more body to the notes, maintaining the crispy nature and making them sound a bit fuller. It also applies a slight smoothening effect, which calms down the uncomfortable peaks, if any, but does not smother them, so the overall life in the LOAK-T(CL)’s tone isn’t held back. Both male vocals and female vocals are benefitted from this and they do sound mesmerising. Coming to the treble, again, the energy and brilliance is in no way affected, but the slight smoothening effect just enhances them into a more complete form, where the brilliance is preserved and discomfort is toned down. The notes do have a bit better defined body. P-38 also enhances the separation slightly more, increases the depth a bit more, and makes the imaging slightly more three dimensional.
Suffice to say the P-38 is currently my most favourite pure copper cable as of yet. I am for sure going to have this in my collection.
Here are my impressions on them:
P-32 (Grey): So here is my impression about Prototype-32, or, the Grey cable. I paired this cable with the bassiest iem in my roster - the IMR Elan. Now, why did I do it? Because only with this iem I had the option to use 3 types of cable: the stock OFC, the Nocturnal Audio Acrux (a pure silver cable) which I regularly use with Elan, and this Prototype-32. So how did it turn out?
Oh by the way, my source was L&P W2, high gain, balanced out, Tune 1, paired with my laptop, playing FLAC files through Foobar2000.
Well, P-32 is a strange one. The stock OFC cable of Elan acts as expected - giving the low end a boost and making it a fun iem. The Nocturnal Audio Acrux behaved as expected of a pure silver cable - cleans up the sound by making the midrange a bit leaner and giving the upper region a slight boost in energy. P-32 falls somewhat in between them. Compared to the Acrux, it adds a bit more body to the midrange and brings it slightly forward, attenuates the energy in the upper region very slightly, and also enhances the low end texture very very slightly. However, with the addition of a bit more body in the midrange, the airiness also takes a slight hit. Also, because the midrange comes slightly forward, the stage depth is reduced slightly.
Next, I move over to Shanling M7, medium gain, balanced out, playing FLAC files through Shanling APP.
Here, I am comparing the P-32 cable with the stock copper cable of IMR Elan, which is a fairly good one by its own merit. After doing back and forth for over an hour, this was my impression: The most notable effect P-32 has is on the low end, which it tightens up and enhances to produce a bit more texture and details in exchange for a slight amount of body, for the better. This cleans up the stage a bit. P-32 also brings the midrange a bit forward, and slightly enhances the stage width along with separation. The note becomes very slightly bigger and slightly more alive. Highs were mostly not affected in this case.
Well, out of curiosity, I paired the Acrux also, and here is the comparison result: P-32 seems to have slightly more body in Low End, while having comparable texture and details. Midrange is again a bit pushed forward while having slightly more body, slightly smoother compared to Acrux. Same goes for high range, the notes are slightly smoother and accentuated compared to Acrux. Acrux has a tiny bit more stage depth and P-32 has a tiny bit more width.
Overall, the P-32 is a really really nice cable. But there are 2 cons that I have a beef with:
- The thick 8 core really takes up space while coiled. While it isn’t so heavy despite being 8 core and fairly supple as well, the volume makes it really difficult to fit into a pocket carry case. Making it 4 core will make it an instant favourite of mine.
- The earhooks are really thick and stiff, very occasionally it pushes the iem out of my ears. If only the earhooks were removed, and the structure was kept the same braided instead of twisted near the 2 pin connectors, the cable would have been much more easy to wield.
_______________________________________________________________________________________________________________________________________________________________________________________
P-32 with FAudio Dark Sky: I decided to connect the P-32 to my current TOTL, FAudio Dark Sky, today. And quite honestly I was surprised by how the output evolved!
Let's get the aesthetics over with. The Dark Sky has a 24 AWG Silver Alloy/Germany Pure Silver/Immersion Gold Silver Alloy cable. From aesthetics, the stock cable is much better and is more soft and supple compared to the P-32.
Coming to the sound performance, I found P-32 was distributing the sound on a more three dimensional plane with added depth and a bit of height, enhancing the overall imaging and making the presentation more immersive. The stock cable sounded slightly flatter with the midrange a bit more upfront compared to the P-32. P-32 also enhanced the low end noticeably with more body in the lower register notes, resulting in a healthier slam and more pronounced & textured rumbles. The separation did improve slightly also, with more distinct space between notes.
However, P-32 also introduces a slight warm tonality to the sound of Dark Sky. The stock cable has a rather cooler tone. This may or may not make or break things for individuals. Me, I am just a bit intrigued at this change and cannot feel any affection or repulsion to this particular effect yet in my mind.
Another point to note is because the stock cable has slightly leaner bass, mids get a bit more spotlight. The mids with P-32 are by no means subdued or drowned behind the bass and after just a moment they come at you in their full glory, but on the stock cable they just do not wait for that moment also, they are in their full glory from the get go.
The way P-32 improves the sound in its entirety is quite unique. The most notable enhancement is the stage created by the iem. As it improves the depth, separation, and imaging all together, the soundstage becomes a bit more grand in all dimensions. Coupled with that the refinement of individual notes makes the experience all the more pleasing and takes its performance to a new height.
My only beef with it is the thick 8 strand braid, the weight, and the stiff & thick earhooks. @JordonEA confirmed that the first two cannot be addressed, but the third issue can very surely be addressed. I hope that will make it a bit more easy to bear with.
P-38: P-38 is an amazing cable and the favourite of mine from the two. Visually, they are extremely pleasing to look at, with 2 different geometric structures in the different cores. One has thinner individual strands and has considerably more helix angle, and the other one has thicker individual strands and has lesser helix angle. Grabs your attention easily.
I paired it with the current flagship of 634EARS, the LOAK-T(CL) Cocobolo. Titanium front housing, Stainless steel back housing, and Cocobolo wood backplate. The sound in general is very transparent and bright (but never harsh), with a nice emphasis in low end that simultaneously satisfies the cravings for a meaty bass and the requirement of not cluttering the midrange. The midrange, as stated earlier, is very transparent with crisp notes and yet natural. Treble has brilliant energy and extension. Overall a very mature tuning. I was using a XINHS Alloy Copper cable with it.
What P-38 does in this case is, it adds a bit more volume and power in the low end, making the sound fuller and slamming slightly stronger. However, following the original DNA, the bass never clutters the midrange. In midrange, it adds a bit more body to the notes, maintaining the crispy nature and making them sound a bit fuller. It also applies a slight smoothening effect, which calms down the uncomfortable peaks, if any, but does not smother them, so the overall life in the LOAK-T(CL)’s tone isn’t held back. Both male vocals and female vocals are benefitted from this and they do sound mesmerising. Coming to the treble, again, the energy and brilliance is in no way affected, but the slight smoothening effect just enhances them into a more complete form, where the brilliance is preserved and discomfort is toned down. The notes do have a bit better defined body. P-38 also enhances the separation slightly more, increases the depth a bit more, and makes the imaging slightly more three dimensional.
Suffice to say the P-38 is currently my most favourite pure copper cable as of yet. I am for sure going to have this in my collection.