For those interested,
I was looking into this issue of "feedback" in the mk6 & mk8 circuits. .
There is an attenuation or gain switch inside ,
Which introduces Global feedback into the overal amp design...
It seems like a more significant amount in the MK8...
Also it has been PM to me that reduction of this feedback makes the MK6 worse.
This is opposite of what normally would be assumed.
It is generally assumed that Feedback will allow and intoroduce more higher harmonics and sideband distortions that were not originally present,
while only basically lowering the 2nd harmonic to make specs look good. .
But the testing was not fully covered as it introduced low amounts of feedback...
What we have in the little dots amps are (by my assumption), relatively high amounts of feedback...
This in turn poses both an intellectual problem and a real one,
Because the amp literally sounds fantastic with the gain on low, which translated to higher global feedback. ..
So this got me to do a little searching and I immediately found this issue explained which our amps prove in actual use of higher feedback amounts...
Quote :
"...it is normal for an experimenter to experience that if you take a good-sounding zero-feedback amplifier and add 6dB of feedback, the result sounds worse. They heard that right. But had they been in a position to add 60dB, well then, suddenly they would have been confronted with a sound that is little short of magical."
Here is the link to the page for an interesting read:
http://www.soundstageultra.com/index.php/features-menu/general-interest-interviews-menu/455-searching-for-the-extreme-bruno-putzeys-of-mola-mola-hypex-and-grimm-audio-part-one
Looks like the designer of these little dot amps is still "one step ahead ",
As we discover his design goals..
Edit :
Actually I believe the primary reason for the feedback was to bring down the output impedance. .
Looks like yet another topic to experiment. ..