Cannibal Corpse is certainly an extremely technical band, but they depart from the rest of tech death by having very old school drumming. I don't really care how they get assigned, they sort of rise above the rest of metal somehow anyway.
Suffocation is one of my very favorite bands, but I never think of them as tech death, even though they are. The breakdowns and sometimes caveman like riffage are so prominent in my mind. I saw them recently while I was on a business trip to my company's headquarters in Atlanta, it was the first show I'd seen in a couple of years, and it was so strange to be headbanging... on a business trip... with two colleagues with you... such a trip.
Cannibal Corpse is certainly an extremely technical band, but they depart from the rest of tech death by having very old school drumming. I don't really care how they get assigned, they sort of rise above the rest of metal somehow anyway.
Suffocation is one of my very favorite bands, but I never think of them as tech death, even though they are. The breakdowns and sometimes caveman like riffage are so prominent in my mind. I saw them recently while I was on a business trip to my company's headquarters in Atlanta, it was the first show I'd seen in a couple of years, and it was so strange to be headbanging... on a business trip... with two colleagues with you... such a trip.
I concur 100%, and did think folks would find my choices not thought of as Tech-Death. Suffocation is the innovator of balance between Brutal and Tech. Cannibal Corpse is in their own self constructed world, close to jazz at times.Suffocation is also called Slam, and Katalepsy is from Russia which has absorbed the Suffocation NewYork Slam style but their 2016 release is less brutal, maybe more Technical. Katalepsy,you could say, went from being like Suffocation to being more like our thought of idea of Tech-Death in 2016.
Morbid Angel and Blessed Are The Sick ends up being the first Technical-Death-Metal album in many folks eyes ( me too), as to why it was included. But ya, the typical style thought of now would be perfectly exampled with the prior listed Abysmal Dawn. That style is what we have come to think of as Tech-Death by today's standards.
Barus - Tarot
Demilich - When the Sun Drank the Weight of Water
Gorguts - An Ocean of Wisdom
Pyrrhon - Balkanized
Sarpanitum - By Virtuous Reclamation
Wormed - Pseudo-Horizon
To me, it is sometimes difficult to draw a clear line between progressive death and tech death. Some categorize Gorguts as avant-garde death, Pyrrhon and Demilich are definitely too weird to be pure tech death, Barus might be too Meshuggah-ish, while Sarpanitum is probably too brutal, but those elements just enrich the artistic output of both bands. Most importantly, each and every one of them involves impressive tech wizardry hijinks with soul.
Just so you know the Cannibal Corpse albums you have been listening to are Tech-Death, but most don't know they are genred that way.I was like you that I was into BM first then progressed on to DM. It's an aquired taste which finds the listener better-off to try to listen to the music in the background, later to notice small things and details.
I concur 100%, and did think folks would find my choices not thought of as Tech-Death. Suffocation is the innovator of balance between Brutal and Tech. Cannibal Corpse is in their own self constructed world, close to jazz at times.Suffocation is also called Slam, and Katalepsy is from Russia which has absorbed the Suffocation NewYork Slam style but their 2016 release is less brutal, maybe more Technical. Katalepsy,you could say, went from being like Suffocation to being more like our thought of idea of Tech-Death in 2016.
Morbid Angel and Blessed Are The Sick ends up being the first Technical-Death-Metal album in many folks eyes ( me too), as to why it was included. But ya, the typical style thought of now would be perfectly exampled with the prior listed Abysmal Dawn. That style is what we have come to think of as Tech-Death by today's standards.
Beyond Creation, Gorod, Early Faceless, Necrophagist, Psycroptic, Decrepit Birth, Neuraxis, Arkaik, Vale of Pnath, Spawn of Possession, Anomalous, Monumental Torment, Alarum, Brought By Pain are I think those which I would call Tech Death.
Suffocation is Death that is Technical
Wormed and Katalpsy is Technical Death that is Brutal
It was more burtal than tech for me, but it's just one of those albums that should have been heard by those who have slight interest in death metal already. The debut (traditional but still a relatively overlooked one) and Self-titled were really good as well, as much as I don't care about Cryptopsy anymore.
Necrophagist' Onset of Putrefaction, Origin's Antithesis and Suffocation's Effigy of the Forgotten (only Suffocation that I have heard of) were three of my favorite death metal albums. I don't have to mention about Gorguts and Demilich again, should I?
The once mentioned Artificial Brain's Labryinth Constellation was atmospheric death for the most part with tech kind of playing, but it's good enough to be called overlooked, in my opinion.
Back to Pyrrhon a little bit. Like Godflesh during the Streetcleaner era, I consider them as psychedelic music more than anything else personally. Great forward thinking band, nevertheless.
Ah man, how could I forget Gorod? @Music Alchemist - you must check them out.
Their latest record (A Maze of Recycled Creed) in particular is extravagantly playful and nimble with a nice organic sound as opposed to the compressed machine-like sound tech death is often fond/guilty of. In terms of individual songs, Dig Into Yourself and Syncretic Delirium should do the trick (the latter has an astounding outro).
Also, give their previous album (A Perfect Absolution) a spin: to paraphrase an online commentator, the funky intro to Varangian Paradise sounds like a tech-death take on the theme from Shaft. Needless to say, it is awesome.
As we continue and everyone puts up these bands, it reminds me of them. Funny how many bands there are, the world is a big place. Tech-Death is a big genre, even though we always like to think of it as small.
It was more burtal than tech for me, but it's just one of those albums that should have been heard by those who have slight interest in death metal already. The debut (traditional but still a relatively overlooked one) and Self-titled were really good as well, as much as I don't care about Cryptopsy anymore.
Necrophagist' Onset of Putrefaction, Origin's Antithesis and Suffocation's Effigy of the Forgotten (only Suffocation that I have heard of) were three of my favorite death metal albums. I don't have to mention about Gorguts and Demilich again, should I?
The once mentioned Artificial Brain's Labryinth Constellation was atmospheric death for the most part with tech kind of playing, but it's good enough to be called overlooked, in my opinion.
Back to Pyrrhon a little bit. Like Godflesh during the Streetcleaner era, I consider them as psychedelic music more than anything else personally. Great forward thinking band, nevertheless.
Well maybe now more brutal than tech but None So Vile is an undeniable influence on the genre as a whole. I bet at least half of the tech-death bands listed here would attribute some inspiration from Cryptopsy. Sadly they never really consistently released good material but the latest EP is somewhat promising.
Antithesis is ******* awesome, that's definitely a favorite of mine. My favorite Suffocation is the ever-cliche choice of Pierced from Within. Never could get in to Necrophagist ennough to recommend them to anyone, it just bores me to death most of the time.
I'd consider Pyrrhon as legit tech-death, they're way more technical and progressive than many of the other tech death bands who all simultaneously think "dude, no one has used diminished or harmonic minor arpeggio before!" I'm not one to nitpick over sub-genres but they do play technically and there's certainly death metal influences.
It was more burtal than tech for me, but it's just one of those albums that should have been heard by those who have slight interest in death metal already. The debut (traditional but still a relatively overlooked one) and Self-titled were really good as well, as much as I don't care about Cryptopsy anymore.
Necrophagist' Onset of Putrefaction, Origin's Antithesis and Suffocation's Effigy of the Forgotten (only Suffocation that I have heard of) were three of my favorite death metal albums. I don't have to mention about Gorguts and Demilich again, should I?
The once mentioned Artificial Brain's Labryinth Constellation was atmospheric death for the most part with tech kind of playing, but it's good enough to be called overlooked, in my opinion.
Back to Pyrrhon a little bit. Like Godflesh during the Streetcleaner era, I consider them as psychedelic music more than anything else personally. Great forward thinking band, nevertheless.
I still really enjoy Cryptopsy, even though it's just Flo now, but I really love None So Vile. It has a lot of tech kind of parts, but I agree that it is more brutal than anything. Still a classic album, however it's classified.
Totally agree about the other bands except Pyrrhon. I saw them live and I wanted to leave it was so hard to sit through. They played with Artificial Brain and they were absolutely killer, but Pyrrhon is just wankery to me. Pure musician wankery that is nearly unlistenable. It's like listening to a bunch of Jazz musicians doing improv and patting themselves on the back. Something about it just drives me insane.
Ah man, how could I forget Gorod? @Music Alchemist - you must check them out.
Their latest record (A Maze of Recycled Creed) in particular is extravagantly playful and nimble with a nice organic sound as opposed to the compressed machine-like sound tech death is often fond/guilty of. In terms of individual songs, Dig Into Yourself and Syncretic Delirium should do the trick (the latter has an astounding outro).
Also, give their previous album (A Perfect Absolution) a spin: to paraphrase an online commentator, the funky intro to Varangian Paradise sounds like a tech-death take on the theme from Shaft. Needless to say, it is awesome.
Gorod is an absolute joy and I can't believe I forgot them as well. Such nice dudes, too. They look so friggin' HAPPY on stage, they're all smiles and high fives. They're one of the most positive group of guys you'll ever meet. And American girls just go totally bonkers over them and they love it. Those french accents.
They did their last album in their new home studio as well, mixed on KRK Rokits. They did a fantastic job.
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
