Hi again.
" But the most beautiful headphones in this picture, is not necessarily the best, especially if the outsider is associated with the same Kennerton custom cable used on the most beautiful headphones! "
I'm about to think that more and more.
The Kennerton Thekk headphones combined with the Kennerton Custom Cable (and not the Vectura C cable, by comparison) are imho better than the Thror on a lot of audio criteria because they improve some of the weak points of the Thror, while keeping its main qualities:
Better dynamics and bass presence (in SPL), with more impact.
Legibility, bass texture and extension in the sub-basses preserved.
Mids less emphasized, better balanced with the other registers (bass and treble).
Very good definition on all registers, at the same level as the Thror.
Better timbres on voices and instruments, which appear even more balanced, fuller, especially for strings, but also male and female voices.
Thekk is the best I've found to listen to Debussy or Schumann on the piano; to listen to a French opera (Carmen); to listen to the mixed voices of the female trio L.E.J accompanied by a cello (acoustic and electric); to listen to the voice of the folk singer Nolwenn Leroy and her accompanying guitar in the album Folk; to listen with accuracy to the folk guitar of Paco De Lucia and his famous "Entre Dos Aguas"; and last but not least to listen again, with the greatest pleasure, without any frustration, to Hans Zimmer's Live in Prague (on the LPCM track of the blu-ray, which is for me more authentic than the dolby Atmos track for the timbres of musical instruments).
The Thekk allows you to listen to this live concert at a good SPL sound level, without hearing fatigue, and especially this track, which with a lot of speakers (and surely, some headphones) can quickly turn into a sound porridge and/or with an unpleasant sound.
There, nothing of all that: the drums and percussions are at the same time dynamic, well present for the SPL level of the bass, with enough impact and readability (to follow the melodic line); the strings are there and sound "just right"; the sub-basses of the synth and the drums (bass drum) are also well present and readable, participating a lot to the atmosphere of the live concert ; the voices are present and readable and "true" (whether it is the voice of Hans Zimmer in his pitch, or the voice of the singers...): in fact everything is very legible over the entire sound spectrum, with preservation of details, respect of dynamics, and above all preservation of timbres, which is more than appreciable!
