Good morning, everyone.
Kennerton's last two closed-back electrodynic headphones, the Magni V3 and the Gjallarhorn GH 50 are surely excellent headphones to reproduce with a lot of dynamics, speed and details "modern" and dynamic music, but I think that Kennerton's planar headphones (Thekk, Thror, Thridi and Wodan) are more adapted to reproduce with fidelity and tonal accuracy human voices, and in particular classical lyrical singing.
In order to reproduce human voices, male or female, with a transducer (headphones or loudspeaker), it is necessary to have a very good linearity in the frequency range where the human voice extends, i.e. from the Bass to the Soprano voice, between E1(82 Hz) and C5 ( 1040 Hz), knowing that the highest note of a Soprano can be projected at the extreme limit of the human voice up to F#5(1480 Hz).
These are the fundamental notes (f0) of the human voice; for the higher harmonics of the human voice (fn= nf0), they rarely exceed 2500-3000 Hz, because they must take into account, as well as for the fundamental notes, a tuning / amplification with the resonator of the vocal tract (incorporating the pharynx and the oral cavity) which modulates / filters these frequencies emitted by the vocal cords, both the fundamental notes and the higher harmonics ; this resonator acts according to two resonance modes (modulated by the voice) called R1 and R2.
(Note: you can read more about this by reading these two posts on the French forum at the following links:
https://musique-o-casque.com/viewtopic.php?p=6440#p6440 and
https://musique-o-casque.com/viewtopic.php?p=6444#p6444 ).
In short, to come back to the frequency response of headphones, in particular Kennerton planar headphones, for the good reproduction of human voices (male and female), both for the fundamental notes f0 (between 80 Hz and 1000 Hz, see 1300-1500 Hz for the most extreme notes in the treble of a Soprano) and also for the harmonics fn = nf0 of these same notes; and also taking into account the anatomical resonators R1 and R2 of the vocal (and buccal) tract, amplifying the sounds coming from the vocal chords, by resonating at certain fundamental frequencies (f0) and at certain multiple harmonic frequencies of these fundamental notes (fn=nf0), and this within a certain frequency limit (less than 1500 Hz for the fundamental and less than 3000 Hz for the highest resonant multiple harmonics with R1 (non classical voices) or R2 (classical voices)).
Well, we can say that headphones faithfully reproduce the frequency band 80 Hz - 1000 Hz (see in the extreme case 1300-1500 Hz for the highest fundamental notes (f0) of a Soprano), and up to 3000 Hz for the multiple harmonic notes (fn= nf0) amplified and resonating on the resonance modes R1 and R2 of the vocal tract, well, these headphones should be sufficient for a good reproduction, both faithful and complete, of human voices.
To remain within the range of Kennerton planar headphones, the Thekk seems to be well enough balanced and accurate (in tone and timbre) to reproduce fairly faithfully, both the fundamental notes of human voices (between 80 Hz and 1000-1200 Hz), but also the higher harmonic notes of these same voices (up to about 2500-3000 Hz).
The Thror is as well, but perhaps suffers from a coquetry (excess of presence) in the lower treble (around 3000 Hz), compared to the Thekk, to reproduce the highest harmonics of human voices.
Female high-pitched voices, with the Thror, seem less natural compared to the Thekk (as if they were modified by a cardboard cone); moreover, subjectively, they seem a bit lacking in fullness in the lower frequencies.
On the contrary, the Wodan, and to a lesser extent the Thridi, suffer from a slight lack of presence in this same low treble (this time around 2000-2500 Hz), still compared to the Thekk.