Sad but not surprising, noting the general insensitivity and lack of musical education (and hearing education) of the public-at large.
If I'd heard that my jaw would have dropped and I would have been riveted to the spot with tears in my eyes!
Wouldn't have notice Bell right off, but the skill and the sound of the Strad would have sent hooks into my heart and yanked me around.
Also, the Chaconne was my favorite practice piece in my youth (mediocre skill, of course). I love the piece so much the first note or 2 would have gotten me — probably the first chord would have snapped me to attention. At the very least, I would immediately begun critiquing his rendition (old habit).
Not at all surprised at the results, though.
For quite a few years now audiences have given standing ovations to so many performances — mainly to feel justified/vindicated in having spent the huge price they paid for their seats. Broadway audiences almost always give standing ovations, even for the worst crap (in my opinion). Classical music and opera audiences are definitely somewhat more critical.
I did hear a Joshua Bell recital that saw a standing ovation, and it was a terrible performance on all levels (sorry Josh) — maybe 'cause it was a "Free For All at The Town Hall" concert(?), or maybe he just had an off day. I'd like to think the Carnegie Hall crowd might be more discerning(?). I gave him polite applause for participating (showing up). Nadja Salerno-Sonnenberg (on another date) gave a really inspired performance which did deserve a standing ovation — at the same free concert series.
Sigh. (I sigh a lot, lately.)