Redcarmoose
Headphoneus Supremus
I wasn’t going to make a post of this style but then thought it can help the thread. Below is a list of posts this week from the 1A/1Z Sony DAP Thread here at Head-Fi. The motivation on my effort here in this post is to try and delineate the very fast and effective advances in DAP technology which is making these small portable devices much better than even big desktop applications even a few years ago. The DAC technology and amplifier technology is on another level with new FPGA ideas newly integrated into portable audio. That’s why these new devices are different than what you can do with a phone and different sounding that what you can buy from FiiO. Below we see the flagship Sony DMP-Z1 which stands as a reference and possibly a role model for how this technology will be miniaturized at a future date. Both the Sony 1Z and DMP-Z1 have been created by the same team and share many of the same inventions. This post is only to show that DAP technology is not ending but moving forward at an alarming rate providing us with sound quality that makes 2013 seem like the dark ages.
Reference Below
———————————————————————————————
Post #31066
I've read the document on the signatute of @Sonywalkmanuser , pretty interesting read of the S-MASTER, the anti-jitter precision in attoseconds, wow, that is even lower than these femto clocks... and the desktop version of S-Master has high voltage (or current) FETs in the output secrion, making the desktop amp capable of outputting 75W per channel for powering speakers.
I think sony can implement a mobile version of these Switching FETs to put more piwer in a walkman f.e 1W or 800mW
Post #31052
I do not know about the next Walkman....it isn’t totally impossible for S-Master to incorporate Low bit converter....only that the current S-Master HX is only Multi-bit. Who know what the next generation could bring ?
I can not speculate on those capacitors either. But if the trends from previous Walkman and Sony stay the same, then we could expect a lot of quality PML caps to dedicate toward music signal purity, Poscaps and electrolytic as well.
However, who knows when the next generation S-Master May come
Post #31057
I don't know what kind of secret sauce Sony added to the DSEE HX AI on the ZX507, I have already tried so many other mobile-based upsampling Iisted here:
Hibiki IOS: https://apps.apple.com/us/app/hibiki2f/id887091351
Korg Audiogate: https://www.korg.com/us/products/software/iaudiogate/
Neutron Music Player: https://play.google.com/store/apps/details?id=com.neutroncode.mp&hl=en
TEAC HR player: http://audio.teac.com/product/hr_audio_player_for_ios/
The new Sony up-sampling algorithm is the first one that makes me want to upsample every of my music! All the other up-sampling Apps all have issues with blurriness or sounds overly sharpened. Although Korg and Hibiki is pretty decent.
I cannot imagine how DSEE-HX AI will sound on the WM1Z if that's possbile to be added in. Though I don't think it is possible as the DSEE-HX AI already consumes so much processing power of the ZX507(battery reduced by 30%-35% with DSP), the CPU on the WM1Z probably won't be able to do the AI processing.
Post #31047
AK4499EQ is a Delta-Sigma DAC. Walkman is always S-Master. If it isn’t S-Master, it isn’t a Walkman
Post #31021
I did not have Dave with MScaler. It was from a PC as a source. DSEE-HX is almost an up scaling feature that was detailed as bringing any files into High-resolutions. I never enjoyed it as much before, but now I do with DMP Z1.
Main differences is the soundstage presentation in XYZ expansiveness. Dave is more like Dome shaped presentation where the vertical plane is not as spherical as DMP. The timbres from Dave is dense and also somewhat warmth, but very different than DMP Z1. Dave sounds more like Digital where as DMP sounds more like Analog. The Dave was behind in Fluidity, density resolutions, textures details, and most importantly grainy. The DMP has utmost density resolutions, fluidity, textures details but buttery smooth, very fluid and liquid. The only thing I would pick on the DMP Z1 is the Warmth signature, but even so, every pitch, tempo, Chorus are all precisely and uniquely retrieved and reproduced for each different instruments and plays.
Yes, and error corrections, Jitter could come from Ceramic Capacitors. They cause Piezoelectric effects which we use on Crystal oscillators as a timing devices. These mechanical vibrations induce both electrical noises and physical noises into the signals, which cause the Signals to be contaminated or... carrying a lot of Error that should not have been. DMP Z1 is using all the Multi Layer Filmed Capacitors at the most important places of Audio signal paths to ensure of negating this effects.
beside that, the algorithms, the DSP techniques behind everything is also very important. The implementation is so vastly different that even within Sony itself, the DMP with DSD remastering to DSD64 is better than TA ZH1ES which does PCM to DSD128. Isn’t that crazy ? The way I see it, this is my observation between DMP which uses a lot of PmL caps as mentioned above and using AK4497EQ as a low bit processors instead of FPGA inside TA ZH1ES. As mentioned FPGA was never meant for dedicated audio processing.
you can read more about DMP Z1 and my impressions here
https://www.head-fi.org/showcase/so...r-signature-series.23308/reviews#review-23083
Reference Below
———————————————————————————————
Post #31066
I've read the document on the signatute of @Sonywalkmanuser , pretty interesting read of the S-MASTER, the anti-jitter precision in attoseconds, wow, that is even lower than these femto clocks... and the desktop version of S-Master has high voltage (or current) FETs in the output secrion, making the desktop amp capable of outputting 75W per channel for powering speakers.
I think sony can implement a mobile version of these Switching FETs to put more piwer in a walkman f.e 1W or 800mW
Post #31052
I do not know about the next Walkman....it isn’t totally impossible for S-Master to incorporate Low bit converter....only that the current S-Master HX is only Multi-bit. Who know what the next generation could bring ?
I can not speculate on those capacitors either. But if the trends from previous Walkman and Sony stay the same, then we could expect a lot of quality PML caps to dedicate toward music signal purity, Poscaps and electrolytic as well.
However, who knows when the next generation S-Master May come
Post #31057
I don't know what kind of secret sauce Sony added to the DSEE HX AI on the ZX507, I have already tried so many other mobile-based upsampling Iisted here:
Hibiki IOS: https://apps.apple.com/us/app/hibiki2f/id887091351
Korg Audiogate: https://www.korg.com/us/products/software/iaudiogate/
Neutron Music Player: https://play.google.com/store/apps/details?id=com.neutroncode.mp&hl=en
TEAC HR player: http://audio.teac.com/product/hr_audio_player_for_ios/
The new Sony up-sampling algorithm is the first one that makes me want to upsample every of my music! All the other up-sampling Apps all have issues with blurriness or sounds overly sharpened. Although Korg and Hibiki is pretty decent.
I cannot imagine how DSEE-HX AI will sound on the WM1Z if that's possbile to be added in. Though I don't think it is possible as the DSEE-HX AI already consumes so much processing power of the ZX507(battery reduced by 30%-35% with DSP), the CPU on the WM1Z probably won't be able to do the AI processing.
Post #31047
AK4499EQ is a Delta-Sigma DAC. Walkman is always S-Master. If it isn’t S-Master, it isn’t a Walkman
Post #31021
I did not have Dave with MScaler. It was from a PC as a source. DSEE-HX is almost an up scaling feature that was detailed as bringing any files into High-resolutions. I never enjoyed it as much before, but now I do with DMP Z1.
Main differences is the soundstage presentation in XYZ expansiveness. Dave is more like Dome shaped presentation where the vertical plane is not as spherical as DMP. The timbres from Dave is dense and also somewhat warmth, but very different than DMP Z1. Dave sounds more like Digital where as DMP sounds more like Analog. The Dave was behind in Fluidity, density resolutions, textures details, and most importantly grainy. The DMP has utmost density resolutions, fluidity, textures details but buttery smooth, very fluid and liquid. The only thing I would pick on the DMP Z1 is the Warmth signature, but even so, every pitch, tempo, Chorus are all precisely and uniquely retrieved and reproduced for each different instruments and plays.
Yes, and error corrections, Jitter could come from Ceramic Capacitors. They cause Piezoelectric effects which we use on Crystal oscillators as a timing devices. These mechanical vibrations induce both electrical noises and physical noises into the signals, which cause the Signals to be contaminated or... carrying a lot of Error that should not have been. DMP Z1 is using all the Multi Layer Filmed Capacitors at the most important places of Audio signal paths to ensure of negating this effects.
beside that, the algorithms, the DSP techniques behind everything is also very important. The implementation is so vastly different that even within Sony itself, the DMP with DSD remastering to DSD64 is better than TA ZH1ES which does PCM to DSD128. Isn’t that crazy ? The way I see it, this is my observation between DMP which uses a lot of PmL caps as mentioned above and using AK4497EQ as a low bit processors instead of FPGA inside TA ZH1ES. As mentioned FPGA was never meant for dedicated audio processing.
you can read more about DMP Z1 and my impressions here
https://www.head-fi.org/showcase/so...r-signature-series.23308/reviews#review-23083


Last edited: