FWIW, after what Sovkiller & co had to say, I finally broke down and got myself a pair of these... (the wallet wasn't too happy, though, and I'll be selling off other stuff soon)
I would just like to second what everyone else has about break-in being absolutely important before making a judgement on them. When I first got the Edition 9s, I was worried I had made a big, expensive mistake and that the people who complained about bass boom/mid-range suckout/fake string sounds were right. I'm also running balanced HD 650s and except for the bass, they blew the Edition 9 out of the water. The 650s seemed much faster/revealed more details and sounded much more natural. A couple weeks later (maybe 250+ hours), the Edition midrange and treble came out of the wood work, and the Edition 9 completely changed tonality. Interestingly the bass boom/cloud seems to be dissipating too and the HD 650s and Edition 9 now sound pretty similar on a lot of recordings. Right now the Edition 9 still doesn't sound as natural to me as the 650 (as in being live at a performance), although I can now hear more going on with the Edition 9 and I stop caring at some point. I'll probably keep the 650s, though, because I've discovered several of my old LPs have a very hot bass, which the Edition 9 will not hesitate to show you but the HD 650 seems to mask well.
Anyways, based on < 200 hours break-in, I would have had a very hard time calling these one of the best production headphones out there. But they just seem to keep getting better, and now I think I'm finally starting to hear what all the fuss was about ...
Paolo