Regarding PGGB, which I've seen mentioned in passing on a couple threads on the forum (including this one)...
I only discovered its existence the other day, and it's exactly the kind of upscaling approach I've always wanted to be able to adopt -- upscaling which is done at the file level, rather than "mid-stream" via a dedicated piece of intermediating hardware.
The more time I've listened to PGGB up-converted files over the last couple days, the more I like it. A lot of the same descriptors and phrases used to describe the M-Scaler immediately come to mind -- more organic/analog, greater dimensionality, more natural-sounding, better bass extension, less harsh and more rounded leading edges, more subtle microdetails, etc. Another word that comes to mind for me is "lush", which is interesting and unexpected, and not an adjective that I'd ever associated with the M-Scaler exactly, just to add as a point of contrast...
Additionally, I find its effects -- all of which I like so far -- to be more easily noticeable than that of the M-Scaler. I've always been a little ashamed to admit that -- as much as I like the M-Scaler -- sometimes I struggle to notice the difference when the fourth glowing ball is red versus white (yes I know, I'm a baaad audiophile).
Also, the better the recording, the more noticeable the results. As a sanity check, I put a dozen pairs of test tracks into a shuffled playlist, and was reliably able to differentiate the original 44khz versions from the upscaled 705k versions in a self-administered "blind" listening test.
Anyway, it's still early days yet, but it's such a cool project that I wanted to post some initial impressions, and this thread seems as appropriate a place as any. Unlike the M-Scaler, which is a relatively problem-free "drop-in" solution (wait, did I just say that?!), fully incorporating PGGB into one's "audio-listening workflow" will require a lot of extra setup and legwork. But so far I find it potentially compelling enough to consider making the necessary adjustments.
I only discovered its existence the other day, and it's exactly the kind of upscaling approach I've always wanted to be able to adopt -- upscaling which is done at the file level, rather than "mid-stream" via a dedicated piece of intermediating hardware.
The more time I've listened to PGGB up-converted files over the last couple days, the more I like it. A lot of the same descriptors and phrases used to describe the M-Scaler immediately come to mind -- more organic/analog, greater dimensionality, more natural-sounding, better bass extension, less harsh and more rounded leading edges, more subtle microdetails, etc. Another word that comes to mind for me is "lush", which is interesting and unexpected, and not an adjective that I'd ever associated with the M-Scaler exactly, just to add as a point of contrast...
Additionally, I find its effects -- all of which I like so far -- to be more easily noticeable than that of the M-Scaler. I've always been a little ashamed to admit that -- as much as I like the M-Scaler -- sometimes I struggle to notice the difference when the fourth glowing ball is red versus white (yes I know, I'm a baaad audiophile).
Also, the better the recording, the more noticeable the results. As a sanity check, I put a dozen pairs of test tracks into a shuffled playlist, and was reliably able to differentiate the original 44khz versions from the upscaled 705k versions in a self-administered "blind" listening test.
Anyway, it's still early days yet, but it's such a cool project that I wanted to post some initial impressions, and this thread seems as appropriate a place as any. Unlike the M-Scaler, which is a relatively problem-free "drop-in" solution (wait, did I just say that?!), fully incorporating PGGB into one's "audio-listening workflow" will require a lot of extra setup and legwork. But so far I find it potentially compelling enough to consider making the necessary adjustments.
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