How much has my musical taste changed?
Hmmm.
Some would say I didn't have taste to begin with...and still don't!
Seriously, though, I've found I buy more of my artists I like, including a number of those from 20+ years ago - Judie Tzuke, Toto, Mary Chapin Carpenter, many others - and I end up getting to a point where an artist from that time is just not producing the quality new works for me anymore or, quite simply, they stop recording to choose another life path (God I miss Beverley Craven at times).
In other aspects I've explored like crazy (well as much 'like crazy' as my limited budget will allow me to). I listen to recommendations from friends and family (and here). I try some out and learn more about what I don't like and I try some out and suddenly have another artist whose back catalogue I collect and who join the aforementioned as artists whose albums I continue to get as they are released - Diana Krall, Porcupine Tree, Evanescence, Tarja Turunen, Sarah Blasko, the list goes on...
Some aspects of my taste stay the same - still don't like opera and twang diehard C&W. Some aspects of my taste change a bit - I find artists in some genres don't offer enough variety for me from what I've already heard over the last two decades.
But I'm always listening, always exploring - plus enjoying revisiting my already preferred favourite tracks. Quite often nowadadys I only find one or two tracks on an album that I really like whilst the albums that become my favourites have a number more tacks that engage me: it's quite rare for any album to captivate me with every track, either initially or, particularly, long term.
And I guess I think more about why I like particular tracks/music. Sometimes it's sentimentality and regular listening in my formative younger years - the same reason the soundtracks for TV series like 'Ashes To Ashes' appeal to my generation. If Supertramp's "Take The Long Way Home" comes on, I'm there: whether it's psychologically pulling forward memories of simpler, more carefree days or not, tracks from my high school years are in my psyche, whether they were the best recorded at the time or not.
But more often nowadays I'm liking the artistry involved in the recording - the artistry of the musicians
and the engineers and producers to bring that musical experience to me in so much craftilly replicated detail. This applies regardless of the age of the tracks and in some respects applies more to older, more open recordings than those suffering from being recorded in "The Compression Age".
I still love classical, and particularly Beethoven. But I collect less soundtrack music now, regardless of whether it's original score or compilation-based: in most cases I feel I've heard it all before.
In recent times I've gone more progressive rock than before - I seem to like modern Prog Rock but still not like older Prog Rock so much.
And I'm still a sucker for well written, well recorded and well sung female vocals: but even this has become more selective over time, as I identify more and more my preferences even within each genre/style.
And I guess my last point is I don't find time nowadays so much to revisit albums that I've not listened to for a long time - earlier on I would do that, and perhaps rediscover that 'No, I really don't think much of that album' but occasionally find a track or two that was more my thing (but perhaps that was partly also because I was listening to it on better equipment as that side of things also developed over time
).