I just want to put it out there, even though I think only 1/4 people will like it, that if you take off the two black stickers on each bufferboard you can get more highs and more of a diffuse sound. Imo it sounds more balanced than stock, but the more spread out, unimpeded highs can easily become fatiguing with too much volume, certain genres or electronics that have too much treble detail. When there's sound panning hard left to hard right it will occur more seamlessly, and more effortless highs ambience. Drums that used to seem stuck resonating bass will bloom more naturally, more diffuse and quite less impactful. People who like the focused bass impact of stock pro 900 may not like the change from removing the stickers resulting in the less focused/direct sound in both lows and highs. To sum it up, you'll be trading a focused bass-driven sound for a more diffuse sound, and also getting a less forgiving of highs sound, kind of opposite of Kees' cotton mod, but what these two have in common is lower volume but a more balanced sound IMO.
Anyone considering taking off the stickers, please think about my impressions of what happens before doing so because I don't consider it an improvement, merely a different sound which imo is more balanced (ie no focus on any area) but less bass impact, which may or may not be suited for you, your music, or your electronics. If you already have felt pads from the Kees mod, you can just cover up the two holes back to get the stock sound again.
Get a very very sharp boxcutter, put it parallel to the metal bufferboard, slide it slowly underneath the black plastic sticker while pushing in diagonally to cut at the sticker's gluey part. It must be done parallel to the bufferboard or you may scratch the metal board or worse, poke a hole in the nice cotton or paper thing you see in the 3 open holes and are also behind the 2 holes we're trying to get the black stickers off of. Once you have slid the boxcutter in a few mm, rotate the knife to lift up some of the sticker. Repeat until there's enough space for you to put a finger underneath and pull off the sticker. You can entirely scrap off leftover gooey parts with your fingernails.
edit: I can't recall, but I think I asked Kees about taking them off and he said he did and didn't like it. So he invented taking off the black stickers too
. I think a good way to describe how taking off the sticker improves placement of mids and highs is this song:
http://magnatune.com/artists/albums/...e-recon/12.m3u
Or the last song of this album:
http://magnatune.com/artists/albums/ammonite-recon/
There is no bass in this song and is simple, but that's good since it's low bitrate and doesn't take significantly away from what we're listening for. With the stickers on it's like they are playing a bit of hide and seek in the earcups, without the stickers you can clearly point out the locations, whether they are still, moving slowly, popping up randomly and how much distance.
The bass I'd say is the weird part with unplugging all five holes, because the bass becomes shifted to the middle height of your ear. If you can acclimate to it then it does sound more balanced than stock, but overall less engaging than even stock, and much less engaging than Kees modded, but people who want a "monitor-type" sound like people in the studio might like it.