Hello,
Has anyone been able to compare the FA-12 (or FA-10) with a Singxer SA-1?
Has anyone been able to compare the FA-12 (or FA-10) with a Singxer SA-1?
Been getting the itch to add a good SS to the mix, and this post just put the FA-22 in the number one spot on my list. Thanks for sharing bro!~ I do not own any of the hpa in the title of this thread. But I do own the Flux Lab Acoustics FA-22. What a headphone amplifier!
~ I have currently a number of hpa: tube OTC, tube OTL, tube/SS hybrid, and SS. I will say right off that the FA-22 in a short time, after a two-day warm-up, displaced the Violectric V280 as my favourite SS hpa. To me, the FA-22 is a fighting trim V280 with faster reflexes and all of the V280’s musicality. (The V280 is no slouch when it comes to dynamics and transients!).
~ A special quality, to me anyway, about the FA-22 is that - unlike many SS hpa - the ‘air’ between instruments and performers is not ‘electrically energised’ but is left ‘inert’. This for me dramatically adds to the realism of what I hear. In this particular sense, the FA-22 is tube-like. As a result, the FA-22 conveys hall/studio ambience and reverberation in the most convincing fashion that I have heard with SS.
~ I get goosebumps listening to acoustic bass, female vocals, massed strings, riding cymbals with polyrhythmic snare brush work…with the FA-22. What else can I say?
~ For the price listed on the FLA website, the FA-22 is an unrelenting bargain!……
I do have a balanced DAC (Mojo Audio EVO Mystique). It is tremendous with the FA-22.If you guys have a balanced DAC then you should definitely consider FA-12.
I will post my review in about a week but I can already mention that I am thrilled with it.
Interested in this, as I do have a balanced DAC (Morpheus), and I am trying to decide between the FA-12 and FA-22. I am curious why one would go with one or the other, if they have a balanced DAC.If you guys have a balanced DAC then you should definitely consider FA-12.
I will post my review in about a week but I can already mention that I am thrilled with it.
Got ya, and the second factor is a big one for me, so looks like it's most likely gonna be the FA-12.@Wes S
First decision factor should definitely be the sound signature.
I haven't heard the 22 but Vitaliy told me that there are several differences so I guess that it depends on synergy.
Second factor should be if you are stubborn like me (!) and you like the signal to remain intact and fully balanced without converting.
The FA-12 pairs great with everything as it is neutral, transparent and linear.Got ya, and the second factor is a big one for me, so looks like it's most likely gonna be the FA-12.
Interested in this, as I do have a balanced DAC (Morpheus), and I am trying to decide between the FA-12 and FA-22. I am curious why one would go with one or the other, if they have a balanced DAC.
I will chime in with this: the FA-22 works beautifully with ZMF Auteur, Beyerdynamic DT-880 600 ohm, Senn HD-600, Gjallarhorn JM Edition, Focal Clear OG…when headphone cable is in SE socket or in XLR socket. (The DAC is connected to FA-22 by XLR -> XLR.)@Wes S
First decision factor should definitely be the sound signature.
I haven't heard the 22 but Vitaliy told me that there are several differences so I guess that it depends on synergy.
Second factor should be if you are stubborn like me (!) and you like the signal to remain intact and fully balanced without converting.