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- Nov 4, 2003
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After reading the almost universal glowing reviews of the Shure E500, I rushed out and bought a pair (very rare for me, actually, but I am traveling next week...need new IEMs!). First thing I did was plug them into my Ety custom ear molds (they fit, but were a bit loose at the end) and fired up my iPod. Disappointment. The sound was muffled and quite bad, really. I put back the default gray round nubbins and tried again. Aha, here we go!
The E500's sound incredible. I have been, up until now, a rather diehard Ety fan. I have tried (only briefly) previous Shure models (E3C, E5C) and knew right away they were not for me. Felt like they were shouting at me; granted, I didn't give them much of a chance. These new E500's, though...wow. They're as detailed, if not more-so, than my ER4P's. But then add to that perfect bass, and excitement. Excitement is not exactly the right word, but the E500's make the ER4P's sound like monitors. The ER4P sound is all there, but it's completely flat and sterile (by comparison), with the bottom end lacking. The E500 brings each instrument straight to your ear with the "aliveness" of the instrument still intact. Man it's ridiculous trying to describe sound. It sounds really, really good.
The comfort of the E500 is also terrific. The driver enclosure nuzzles into my ear. After inserting the nubbin, I pull down on my earlobe and push the driver, which then "pops" into place, snugly tucked into the little nook above my earlobe (just like my custom molds used to fit). The nubs I'm using only go a little ways into my ear, there's no need to stuff them deep like with Etys or custom molds. I think this helps explain why the soundstage is much wider with these than with Etys. These do not have the "in your head" soundstage like Etys. The soundstage is pretty wide - very wide for an IEM. It's closer to listening to a full sized pair of cans. I haven't actually lied down with them yet, but I found by accident that when I press my palm to my ear, it doesn't mess with the sound. Because the driver is tucked into my ear, and the cord sticks up, not out, I'm pretty sure I could lie down on a pillow on my side with these...JOY!
I'm listening to the E500's right now through my main rig. They really shine here. I had to turn down the "texture" dial on my PPX3 Slam to about 9-10 o clock to get them to sound good to me (with the tubes I'm using). One of the only potential negatives I have found with the E500's is that they are very loud. I can't get my iPod to 1/3 volume, and with the PPX3, I can barely turn the dial. The negative is that for a lower volume listener like me (I notice at meets the first thing I do is turn the volume down), I don't get much usable volume range. Dialing down the texture knob helps with this a lot. And it's the only thing close to a fault I can find with these things. Well, that and the slight hiss people mention from the iPod, which for me is very slight and only detectable during complete silence (a non-issue for me).
It's not a fair fight, ER4P's vs E500's. The E500's are twice as much. But so were the E5's, and they were never a clear winner like the E500 seems to be. I think the E500 changes the IEM game. It seems to me anyone who is looking remotely close to this price range for IEM's should just buy these. It's with a heavy heart that I switch from Ety to Shure. Nothing against Shure, but I always just really liked Etymotic. But they just haven't created anything (so far) that can compete with the E500.
Congratulations to Shure on a brilliant sounding and very well ergonomically designed IEM, and to audiophiles everywhere - who can come up with $400-$500.
The E500's sound incredible. I have been, up until now, a rather diehard Ety fan. I have tried (only briefly) previous Shure models (E3C, E5C) and knew right away they were not for me. Felt like they were shouting at me; granted, I didn't give them much of a chance. These new E500's, though...wow. They're as detailed, if not more-so, than my ER4P's. But then add to that perfect bass, and excitement. Excitement is not exactly the right word, but the E500's make the ER4P's sound like monitors. The ER4P sound is all there, but it's completely flat and sterile (by comparison), with the bottom end lacking. The E500 brings each instrument straight to your ear with the "aliveness" of the instrument still intact. Man it's ridiculous trying to describe sound. It sounds really, really good.
The comfort of the E500 is also terrific. The driver enclosure nuzzles into my ear. After inserting the nubbin, I pull down on my earlobe and push the driver, which then "pops" into place, snugly tucked into the little nook above my earlobe (just like my custom molds used to fit). The nubs I'm using only go a little ways into my ear, there's no need to stuff them deep like with Etys or custom molds. I think this helps explain why the soundstage is much wider with these than with Etys. These do not have the "in your head" soundstage like Etys. The soundstage is pretty wide - very wide for an IEM. It's closer to listening to a full sized pair of cans. I haven't actually lied down with them yet, but I found by accident that when I press my palm to my ear, it doesn't mess with the sound. Because the driver is tucked into my ear, and the cord sticks up, not out, I'm pretty sure I could lie down on a pillow on my side with these...JOY!
I'm listening to the E500's right now through my main rig. They really shine here. I had to turn down the "texture" dial on my PPX3 Slam to about 9-10 o clock to get them to sound good to me (with the tubes I'm using). One of the only potential negatives I have found with the E500's is that they are very loud. I can't get my iPod to 1/3 volume, and with the PPX3, I can barely turn the dial. The negative is that for a lower volume listener like me (I notice at meets the first thing I do is turn the volume down), I don't get much usable volume range. Dialing down the texture knob helps with this a lot. And it's the only thing close to a fault I can find with these things. Well, that and the slight hiss people mention from the iPod, which for me is very slight and only detectable during complete silence (a non-issue for me).
It's not a fair fight, ER4P's vs E500's. The E500's are twice as much. But so were the E5's, and they were never a clear winner like the E500 seems to be. I think the E500 changes the IEM game. It seems to me anyone who is looking remotely close to this price range for IEM's should just buy these. It's with a heavy heart that I switch from Ety to Shure. Nothing against Shure, but I always just really liked Etymotic. But they just haven't created anything (so far) that can compete with the E500.
Congratulations to Shure on a brilliant sounding and very well ergonomically designed IEM, and to audiophiles everywhere - who can come up with $400-$500.