My 'abbreviated' impressions are below; note that I will post full/additional impressions in another few days once I get my N6ii back (my current source selection is limited to the SMSL M500 right now). I should note that I do not use EQ (unless otherwise stated below, so basically, never), and all files used are lossless rips (FLAC, etc.).
The other reason why this is taking me a bit longer to write up is simply because, well, I'm having a very hard time finding anything I
don't like about the luna. And finally, because there's just so much to say about this IEM.
For those that haven't read it, my previous review on head-fi comparing the Dunu DK-4001 and the Dunu 17th anniversary IEMs
can be found here. In the first paragraph of that review, I mentioned the following:
In a nutshell, I think the Luna is pretty much that very combination, but on a grander scale.
The Luna seems to handle pretty much any genre I've thrown at it with ease. Dynamics, soundstage, tuning are absolutely incredible.
I look forward to Jude/head-fi's test measurements of the Luna. My initial impression is that I suspect it would test pretty 'flat' from its reported range all the way down from 5Hz up to 40kHz. (Perhaps a slight dip in the upper mid? Maybe not.). I'm not a piece of test equipment (at least, not to my knowledge), so I'd like to see what comes out from the test results as another piece to the story. That being said, it's not as if this is an IEM that
sounds 'flat,' in case that wasn't obvious.
I believe Dunu has stated that this IEM had a reference tuning (correct me if I am wrong). I'd agree with that statement, with the caveat that what you hear is anything but flat, per say. Just like listening to my pair of ADS L980s, which also were designed as a reference monitor (and at the time touted as 'the most accurate transducer possible'), both transducers are anything but 'flat' - but they do both seem to accurately play the music as it was recorded/mastered and intended.
Playing 'The Queen of all Everything' by Ott elicits deep bass with delightful high end notes that sparkle but do not offend. DSD tracks especially sound quite wonderful - and especially so with audiophile-type recordings featuring vocals. (I should note that in the past, I have had mixed feelings about MQA/DSD, etc., and honestly didn't really care much about such tracks, as long as they were lossless and well recorded/mastered, fine with me...until listening with the Luna. DSD tracks absolutely shine!).
In my view, the Luna essentially retains much of the details and bass articulation of the DK-4001, but with a wider soundstage, presented on a MUCH grander scale, and with a coherence unlike any other.
It's a bit like, say, the Dunu DK-4001 (re: details, bass articulation), the Dunu 17th anniversary edition (re: smooth, musical), and a magnetic planar IEM (re: beryllium driver speed!) all had a baby. A bit.
That’s a really, really, overly simplistic analogy, and there’s much more to this IEM than that, but that’s kind of the best way I can describe it right now.
This, combined with the coherence of the beryllium single driver makes the Luna
FASCINATING to me - it continues to surprise me with the way music is presented.
Currently listening via: MacBook Pro -> Lossless Audio (Audirvana) -> USB Kimber Kable -> SMSL M500 (M500 is admittedly not the best source; simply using it because it's available in the absence of the N6ii):
Artist: Porcupine Tree
Album: Recordings
Song: Buying New Soul
In a few more days, I'll try to post a more detailed follow-up once the N6ii is back in my hands. I'll include sources used, test songs used, as well as fit, build quality, what eartips work best for me, etc.
I also hope to also complement it with a full follow-up comparison of these three Dunu models: the Luna, the DK-4001, and the 17th anniversary edition.
Thanks for reading - if you'd like to know anything else, or have any specific tracks you'd like me to test with the Luna, just let me know and I'm happy to do my best to oblige!
Edit #1: clarity and spelling!