whirlwind
Headphoneus Supremus
Mullard GZ32 is a great bang for the buck for a warmer sounding rectifier also much cheaper than most of the top tier rectifiers...the skinny GZ37 ain't bad either for the price.
I have a pair of these. Great for jazz music!Just picked up this one in Germany. Any opinions?
I just did a rectifier shootout of all my tubes in a 300b SE amp with NP Acoustics amorphous OPT. Haven't tried with headphones yet. Top of the list were:
2 x AZ1 mesh, 53KU, Sylvania VT-244, GE 5U4, Cossor GZ33. In the original review the RCA 5U4 was preferred to the Sylvania, but I'd put them the other way round. The NOS Mullard 5U4 was rather flat, like the RCA version. I didn't really like any of the 5R4GY types I have - good tone but overly warm which was a step down after the clarity of the preferred tubes above. The GZ34 Sovtek was pretty good but a step down, though I preferred it overall to the 5R4 types. The Russian 5C3S was quite good though a trifle veiled. Good tone and smooth. 5V4G and 5V3A were not liked at all.
I have several different mesh AZ1s, various brands, plus mesh AZ11s. It's a favourite.
The Cossor is marked 53KU and GZ33. It's very clean and clear. I prefer my other 53KU which is wrapped in brown tape because of a loose base. Need to fix it. Can't read the make.
The Mullard is a straight glass in original box, as shown. Not fussed about keeping it - should be worth a bit for the name. The VT-244 was special, dismissed as a "cheap tube" originally but not so cheap any more.
It's great that you can run 4-volt rectifiers as well as 5-volt. I have an OTL that can run 3, 4 and 5 volt rectifiers, but unfortunately, the AZ1 and AZ11 cannot provide enough current. But I can roll AZ4, AZ12 and AZ50. And as it is an OTL, my favorite rectifier depends on the synergy with the driver and output tube. I like Telefunken, Valvo, Lowe Radio, WIRAG and others.
Again, thanks for sharing.
Based on the construction, your Cossor 53KU / GZ33 is actually a Mullard GZ33. The Cossor 53KU is "fatter."
And given that the Mullard 5U4 is clearly marked "foreign made", it is likely that it is American-made or even Japanese-made.
I have the fatter Cossor 53ku. As we have spoken, I also have a Mullard 5U4G made in USA. I'm intrigued by rectifiers now for my SET amp.
Rectifiers do seem to sound different. It's not specially the voltage drop either. My HT with different ones turned out to be as follows:
GZ33 - 370
5V4G - 362
GZ34 - 355
53KU - 352
5U4 - 350
5V3A - 349
5Z3 - 340
My favourites included GZ33 and 5Z3 - top and bottom - as well as 5U4 which was right in the middle.
I was surprised at the results. I previously liked the 5R4 but couldn't take the warm sound and soft treble and bass. The Soviet GZ34 was better than I expected. The 2 x AZ1 mesh which I regarded as unbeatable was arguably equalled by the more dynamic VT-244 version of the 5U4, the GE 5U4, the GZ33 Cossor and the 53KU. My favoured combination now is a 5U4 type for the output stage of the amp and a single AZ1 or AZ11 mesh for the input stage. Best of both. I just use 2 stages in my 300b SE.
Hi - HT (high tension) or also called B+ is the DC voltage that operates the tube circuit. So when I tested the rectifiers I planned for a HT of around 350v. That's into my 300b SE amp.
My GE 5U4 is a straight bottle with side getter.
I hear the GZ34 as linear and tight. Cossor 53ku fat bottle is the warmest to my ears. I like it though. Next is the GZ32. U52 has a very good sweet tone and clean. Only a touch of warmth. Other than that what I hear must be influence by the driver and power tubes. I am still trying to make out 5u4g because the tube amp is less than a month old.