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- Oct 18, 2001
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Thanks for this info. I guess this is along the same line of thought as the interconnects I have from http://anticables.com/ . One of these types of wires might work well.
Nice, Bud, congrats.
Back to the two questions:
1) My Stratus simply rests on top of the Triplepoints. Do NOT use anything else to adhere them - it destroys the beneficial results. The maple platform does have added benefits to my ears. I also find that the Mapleshade Heavy Hats strategically placed on top of the amp help with resonance. Again, I will post pics shortly.
2) In terms of cable, I could go on forever about the benefits of the right aftermarket cable for the HD800 with the Stratus but every time I do I nearly get chased off the forum by those who simply refuse to believe. So my conclusion is that you can only know if an aftermarket cable is going to help you out by testing it for yourself. That being said, 99% of aftermarket cables are built using nearly the same fundamental architecture as the stock cable, so it's no wonder to me that so many people don't hear a difference. Yes, the conductor material matters - but I'm talking about much more than that. I'm talking about finding a cable that doesn't use the detail-crushing dielectric materials and shields and connectors that nearly all cables use. In other words, as long as you're taking any of the available versions of UPOCC copper or silver and encasing it in Teflon and metal shielding and using the same usual suspects of so-called audiophile connectors, then the sound will basically be the same as stock - and that sound is compromised. The only way you will know it is compromised, however, is by overcoming our communal knee-jerk trust in all the fancy buzz-words and materials most after-market cable builders use. So - I would say learn how to solder. Then buy yourself different conductors and connectors and find the combination that works best for you. Use the LEAST amount of material you can - bare wire, low metal-content connectors, no shielding, etc. Start with the barest minimum. Then add. As things get compromised, take away again. That's really the only way to prove it to yourself. The other option is to take the stock cable and start stripping everything away - strip away the cotton outer layer, the Teflon tubing, the shielding. Then strip the conductors bare, free them from being bundled and see what happens. Each time you hear an improvement, keep going. My suspicion is that the most bare-bones, stripped-down version of the cable will sound the best. Finally, think about having the cable you end up with hard-wired to your HD800 drivers to cut-out the bottle-kneck of the Sennheiser connectors as well. You will hear the music free itself from the grunge you may never have known was there. Anyway, that's my recommendation if you really want to hear a real difference...
Nice, Bud, congrats.
Back to the two questions:
1) My Stratus simply rests on top of the Triplepoints. Do NOT use anything else to adhere them - it destroys the beneficial results. The maple platform does have added benefits to my ears. I also find that the Mapleshade Heavy Hats strategically placed on top of the amp help with resonance. Again, I will post pics shortly.
@econparanoia, mine is totally black. Maybe try plugging in directly to an outlet, or possible, input/rectifier tube? Is the unit fully burned in yet?
On another note, I contacted Anti Cable and it seems Paul has made some headphone cables in the past for HD600 users, and can make an HD800 cable. I'll get info on pricing, etc.. in case anyone else is interested.
Just got my Stratus this week. First impressions of stock sound are very favorable. I'm liking its synergy with the HD800 and LCD3. Improved sound-stage is immediately noticeable. Immensely wide, deep and three-dimensional. My Bryston amp is narrow and flat-sounding, in comparison, as well as a noticeable step down in terms of instrument separation. Tonally, I'm hearing a slight U-shaped sound signature. The LCD2 and W3000ANV lose some of their mid-emphasis on the Stratus. The Bryston may be a better pairing for intimate-sounding headphones like the LCD2 and W3000ANV. Other headphones like the HD650, HE-500 and Denon D7000 reach their peak on the Stratus, though the HD650 is more dark-sounding than usual. A silver headphone cable might help the HD650.
So far, very impressed
Thank you for sharing that! I think I recall reading somewhere that the soundstage is not very expensive on the Stratus - that it is rather immediate and upfront. Maybe I misinterpreted something that was meant to mean something totally different. Staging is a top variable for me when choosing equipment. Could you all expand on that aspect of the Stratus, relative to other amps you all have and/or heard with the HD800?
I have heard that, too. So definitely take my impression with a grain of salt. The Stratus is my first desktop tube amp. Most of my listening experience so far have been with solid state amps like the Bryston, the Burson Soloist and HA160, the Graham Slee Ultralinear. The Stratus destroys those amps in almost every aspect of sound stage - depth, width, height and precise imaging due to excellent instrument separation (a weakness of solid state amps which tend to blur multilayered sounds). The effect is a 3D-like, enveloping, natural sound.
Very warm sounding too with some lower-mid emphasis. Adele sounds husky on the Stratus. Of course tubes can change that.
I have heard that, too. So definitely take my impression with a grain of salt. The Stratus is my first desktop tube amp. Most of my listening experience so far have been with solid state amps like the Bryston, the Burson Soloist and HA160, the Graham Slee Ultralinear. The Stratus destroys those amps in almost every aspect of sound stage - depth, width, height and precise imaging due to excellent instrument separation (a weakness of solid state amps which tend to blur multilayered sounds). The effect is a 3D-like, enveloping, natural sound.
Very warm sounding too with some lower-mid emphasis. Adele sounds husky on the Stratus. Of course tubes can change tha
Don't forget these are very early impressions. My Stratus continues to open as everything inside gets broken in (and this is still happening even after 200hrs). The tubes as well - 2A3s can take a while to open up fully depending on where they are in their lifespan. I actually find the amp to be quite linear at this point, no emphasis in any area to speak of. I will again plug the EML 5U4G as one of the necessary upgrades to this amp. It gives the instruments even more air, rounds out the lower mids, and provides a slight hint of dew around everything - like everyone's been dancing at a show and the place is starting to get a little humid. In terms of intimacy, it is more intimate than the Balancing Act - but in a good way - I feel like I'm sitting in the sweet spot as opposed to a bit further back in the coliseum where the sound can get a little boomy. Overall it's about tone. Set aside staging and separation for a moment. These are crucial, of course, but I find they vary quite a bit with headphone choice and especially recording quality. But the tone remains consistent no matter what I play on the Stratus and what I listen to them with: that magic of the 2A3, its punch and drive, it's nakedness and energy, its balance and openness, its velvety embrace without distortion, its liquid bath without muddiness. It may just be the best headphone tube there is and it's nearly perfectly allowed to do its thing by this fine amp.
Not that it's all important to anyone but me, but my Stratus is next up on the build list. Should be getting it on or about the end of March. Woo Hoo!!! Right now I'm listening to the new Bryston BDP-2 that I just received today.