Silent One
What silence said... then nothing.
- Joined
- Aug 9, 2010
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I can't even find my own cans at the moment...
none of 'em! (currently in storage).
I can't even find my own cans at the moment...none of 'em! (currently in storage).
i am in the market for an open set of cans to compare against my D7K.
my shortlist,based only on reading forums, is Lcd-2 r2, he-500 & he-6.
as i love the sound sig of my denons, would i be right in thinking the audeze would be the closest too them?
please note , auditioning options are severely limited in my part of the uk.
I think that I am ready to explore some angled pads for my D7000. The bass bloat is fine in isolation, but when compared to my other rig/cans it's a hard transition sometimes. Plus I would like to see how the stock Denon pads perform on my HE6, as I have read some interesting impressions (and I like the Denon pads over all the HifiMAN ones).
Evidently I have two choices, Lawton and J-Money; Pros and Cons?
I don't usually mod headphones unless it's easily reversible, like swapping out the pads...
Plus I would like to see how the stock Denon pads perform on my HE6, as I have read some interesting impressions (and I like the Denon pads over all the HifiMAN ones).
Evidently I have two choices, Lawton and J-Money; Pros and Cons?
I think that I am ready to explore some angled pads for my D7000. The bass bloat is fine in isolation, but when compared to my other rig/cans it's a hard transition sometimes. Plus I would like to see how the stock Denon pads perform on my HE6, as I have read some interesting impressions (and I like the Denon pads over all the HifiMAN ones).
Evidently I have two choices, Lawton and J-Money; Pros and Cons?
Got my D7000 today, and have only listened to it for a little bit, but thought I'd comment on some of my observations. Note: My D2000 is a 2012 production model.
First, I thought I was getting a 2012 production model D7000. It is in fact not a 2012 production model, so there's that. There are actually some interesting differences in build construction between the 2012 and pre-2012 models. The first difference I noticed immediately was the pads. The 2012 production pads on my D2000 are noticeably softer. It's not a large difference, but big enough that it was the first thing I noticed. I always felt my D2000's pads were so soft they merited the term "luxurious." The pre-2012 pads don't quite measure up to the same sense of luxury. And, one other thing I have noticed is that the newer, softer pads actually seem to stay cooler than the D7000 pads. This is even probably a greater boon than the improved softness. Secondly, my D2000 actually has a thicker cable than the pre-2012 D7000. That doesn't bother me nor excite me, but I thought I'd make a note of it. Thirdly, the Y-splitter has a different size and shape on each model. The 2012 Y-Splitter is shorter and wider than the skinnier, longer looking pre-2012 Y-Splitter. Again, it doesn't really matter, but I mention it as a way to identify pre-2012 and 2012 models.
As for sound differences - pretty much what has been said before. The D7000's bass is tighter than the D2000. The highs sound very similar on both to me. The mids are a very interesting comparison, however. The D7000's vocals are indeed more forward and more present than the D2000's. But, they sound a bit dryer. The D2000's mids, though more recessed, sound a bit more lush and "wet." It makes the D2000 sound a bit more romantic, really. The recessed mids actually work to make the D2000's sound more spacious or distant than the D7000. So which you prefer would depend if you like more of a on-stage sound or a 10-row sound. I haven't decided yet. Another thing about the bass, though - I actually really like the D2000 because its bass is loose and has reverb. The D7000 tightens things up a bit, so time will tell which I ultimately prefer.
Make no mistake, the D7000 has a higher fidelity sound quality than the D2000, but there are just certain aspects to consider when someone is considering making the jump from D2000 to D7000. I learned to be cautiously optimistic when going up a product line after moving up the Grado lineup - ultimately I ended up preferring the SR60i w/ L-Cush pads to the upper models in the Prestige Series. So I'm still not sure if I prefer the more forward, clearer, tighter presentation of the D7000 or the more distant, laid back, lusher / bassier presentation of the D2000. I may have to pay a visit to the D5000, as it might bridge the qualities of the two headphones in a manner I might prefer.
Got my D7000 today, and have only listened to it for a little bit, but thought I'd comment on some of my observations. Note: My D2000 is a 2012 production model.
First, I thought I was getting a 2012 production model D7000. It is in fact not a 2012 production model, so there's that. There are actually some interesting differences in build construction between the 2012 and pre-2012 models. The first difference I noticed immediately was the pads. The 2012 production pads on my D2000 are noticeably softer. It's not a large difference, but big enough that it was the first thing I noticed. I always felt my D2000's pads were so soft they merited the term "luxurious." The pre-2012 pads don't quite measure up to the same sense of luxury. And, one other thing I have noticed is that the newer, softer pads actually seem to stay cooler than the D7000 pads. This is even probably a greater boon than the improved softness. Secondly, my D2000 actually has a thicker cable than the pre-2012 D7000. That doesn't bother me nor excite me, but I thought I'd make a note of it. Thirdly, the Y-splitter has a different size and shape on each model. The 2012 Y-Splitter is shorter and wider than the skinnier, longer looking pre-2012 Y-Splitter. Again, it doesn't really matter, but I mention it as a way to identify pre-2012 and 2012 models.
As for sound differences - pretty much what has been said before. The D7000's bass is tighter than the D2000. The highs sound very similar on both to me. The mids are a very interesting comparison, however. The D7000's vocals are indeed more forward and more present than the D2000's. But, they sound a bit dryer. The D2000's mids, though more recessed, sound a bit more lush and "wet." It makes the D2000 sound a bit more romantic, really. The recessed mids actually work to make the D2000's sound more spacious or distant than the D7000. So which you prefer would depend if you like more of a on-stage sound or a 10-row sound. I haven't decided yet. Another thing about the bass, though - I actually really like the D2000 because its bass is loose and has reverb. The D7000 tightens things up a bit, so time will tell which I ultimately prefer.
Make no mistake, the D7000 has a higher fidelity sound quality than the D2000, but there are just certain aspects to consider when someone is considering making the jump from D2000 to D7000. I learned to be cautiously optimistic when going up a product line after moving up the Grado lineup - ultimately I ended up preferring the SR60i w/ L-Cush pads to the upper models in the Prestige Series. So I'm still not sure if I prefer the more forward, clearer, tighter presentation of the D7000 or the more distant, laid back, lusher / bassier presentation of the D2000. I may have to pay a visit to the D5000, as it might bridge the qualities of the two headphones in a manner I might prefer.