Because of how well the DV336i does with my Edition 9, I just moved it back up from the basement to my bedside rig, feeding it from my HR Micro DAC and iRiver H140, D-303 or Macbook via optical.
The 336i with the right tubes sounds like a amp twice it's price, and I love it. I have the 336i tuned to sound very good with my D2000 and Edition 9 and HD600 and Yamaha HP-1, using (JAN CRC RCA 6AS7G and Sylvania VT-231). With those tubes it is not as great for my Grado RS-1 and HF-1, making them a little too bright and thin, but I can use a Tung Sol 5998 with Hytron 5692 brown-base and it is great with the Grados.
I just got a couple more pairs of 6DE7 for my WA6, so it may end up being better for my Edition 9 than the 336i with 4 pair of driver tubes to try out (and several GZ34, 5U4G, SAR4), but for now the 336i is still a fantastic amp. Sadly for me the 336i is still very nice, because when I bought my Woo WA6 (maxed with pseudo dual power supply) the plan was that it would replace the 336i, but I can't bring myself to sell it.
As a matter of fact, I have 7 new 6SN7 tubes to try in it now - if I recall I have a new 1965 tube with light brown base that appears to be a three-hole Bad Boy and tests at 102%, a new JAN CRC RCA 5692 red-base tests at 101%, a tall Sylvania green type from the 1950's at 102%, a Sylvania yellow print type 6SN7GTB that tested at 96%, a ken-rad VT-231, and 2 other that I forget what they are (on mini-vacation, not at home to check). One I think is a 6SN7WGTA.
Basically, the way it is set up, the WA6 "excels" with everything except the Edition 9 which sound only "fair" with the WA6 (Ed 9 too dark with the WA6), and the 336i "excels" with the Edition 9 and D2000 and sounds "great" with everything else except being just "fair" with my Grados (unless I roll tubes as above).