I ended up changing my digital (Mogami 2964) and analog cables (Mogami 2549) to Mogami 3173, which is a digital cable. The 2964 was a coaxial to XLR cable. The 3173 is a XLR-XLR cable, so I actually use the AES output on the BDP-1. Mogami 2549 was recommended as the best analog cable originally by a lot of people. Then I started noticing a lot of top studios being rewired with digital cables for analog, specifically Mogami 3173. Its their most expensive and lower gauge, and works for up to 1000 feet for digital. I replaced my 2549 with 3173 for analog, and holy ship everything improved. The top end just became real. It became much better on both my Dangerous Source and Emotiva DC-1 systems. The Mogami engineer also admitted that their 3173 is the best cable they offer for digital and analog runs. It has twice the copper of 2549.
I highly, highly recommend anyone to try Mogami 3173. No snake oil here. They post all their measurements on their website. At first it was a bit weird going to the 3173, almost like when I went to the Teradak LPS over the wall wart. Although, after getting used to it, when I went back to either the wall wart power supply or 2549, things sounded a bit more fuller but lost all their resolution, transients, and sounded unnatural. Like someone was talking through a pillow. Cannot recommend the 3173 enough! It costs more, but worth it.